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Emilia's cheeks did not redden; but, without any notion of shame at the words she listened to, she felt herself falling lower and lower the more her spirit clung to Mr. Pericles: yet he alone was her visible personification of hope, and she could not turn from him. If he cast her off, it seemed to her that her voice was condemned. She stood there still, and the cold-eyed Greek formed his opinion.

Certain expressions falling from him led them to guess that he had set some plot in motion, which Emilia's flight had arrested; but his tragic outcries were all on the higher ground of the loss to Art. They were glad to see him go from the house. Soon he returned to demand Wilfrid's address. Arabella wrote it out for him with rebuking composure.

While Lady Charlotte lingered on the beach, she became aware of a figure that hung about her; as she was moving away, a voice of one she knew well enough asked to be directed to the house inhabited by Mrs. Chump. The lady was more startled than it pleased her to admit to herself. "Don't you know me?" she said, bluntly. "You!" went Emilia's voice. "Why on earth are you here? What brings you here?

With some perversity he would analyze to herself Emilia's spirit of hope, partly perhaps for the sake of probing to what sort of thing it might be in its nature and defences; and, as against an accomplished disputant she made but a poor battle, he injured what was precious to her without himself gaining any good whatever.

Unconsciously she placed herself in the seat of one who had fulfilled all the great things demanded of a woman for Merthyr, and it seemed to her that Emilia exercised some fatal fascination, girl though she was, to hurl her from that happy sovereignty. But Emilia's worst crime before the arraigning lady was that Wilfrid had cast her off.

It would be shown in a year or two whether her vocation should be musical or scholastic. Gerald had his meed of tears at home, but not bitter ones. Nay, those that had the most quality of bitterness were Emilia's, shed in secret lest interpretations should be put on those that had the quality of remorse, as she recollected the high aspirations that had ended so differently in the two cousins.

"If you cry, there must be a cause, you know," he said, for the sake of keeping the conversation in a safe channel. "How brave you are!" was Emilia's sedate exclamation, in reply. Her cheeks glowed, as if she had just uttered a great confession, but while the colour mounted to her eyes, they kept their affectionate intentness upon him without a quiver of the lids.

The father of Harry and Hope had been lured into a second marriage with Emilia's mother, a charming and unscrupulous woman, born with an American body and a French soul. She having once won him to Paris, held him there life-long, and kept her step-children at a safe distance.

And here he was, running after a little unformed girl, who had no care to conceal the fact that she was an animal, nor any notion of the necessity for doing so! He had good reason to laugh when his sisters talked of her. It was not a pleasant note which came from the gallant cornet then. But, in the meadows, or kindly conducting Emilia's horse, he yielded pretty music.

Philip seemed stunned; Harry was his usual clear-headed and efficient self; but to his honest eyes much revealed itself in a little while; and when Hope arrived in the early morning, he said to her, "This boatman, who once saved your life, is Emilia's Swiss lover, Antoine Marval." "More than lover," said the young Swiss, overhearing. "She was my wife before God, when you took her from me.