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And among others who felt the force and was swayed and lifted by the prevailing influence, there lived, some four and a half centuries ago, a little boy playing about the wharves of Genoa, well known to his companions as Christoforo, son of Domenico the wool-weaver, who lived in the Vico Dritto di Ponticello.
They must have moved soon afterwards to the house in the Vico Dritto di Ponticello, No. 37, in which most of Christopher's childhood was certainly passed. This is a house close to St. Andrew's Gate, which gate still stands in a beautiful and ruinous condition.
The past seems to meet you there; and from the Piazza, gay with its little provision-shops and fruit stalls, you walk up the slope of the Vico Dritto di Ponticello, leaving the sunlight behind you, and entering the narrow street like a traveller entering a mountain gorge. It is a very curious street this; I suppose there is no street in the world that has more character.
It slopes downwards from the Gate as the first street sloped upwards to it; and it contains the same assortment of shops and of houses, the same mixture of handicrafts and industries, as were seen in the Vico Dritto di Ponticello.
And among others who felt the force and was swayed and lifted by the prevailing influence, there lived, some four and a half centuries ago, a little boy playing about the wharves of Genoa, well known to his companions as Christoforo, son of Domenico the wool-weaver, who lived in the Vico Dritto di Ponticello.
The world is very much alive in the Vico Dritto di Ponticello; the little freshet of life that flows there flows loud and incessant; and yet into what oceans of death and silence has it not poured since it carried forth Christopher on its stream!
The past seems to meet you there; and from the Piazza, gay with its little provision-shops and fruit stalls, you walk up the slope of the Vico Dritto di Ponticello, leaving the sunlight behind you, and entering the narrow street like a traveller entering a mountain gorge. It is a very curious street this; I suppose there is no street in the world that has more character.
Perhaps as he lay there with closed eyes he remembered things long forgotten, as dying people do; sounds and smells of the Vico Dritto di Ponticelli, and the feel of the hot paving-stones down which his childish feet used to run to the sea; noises of the sea also, the drowning swish of waters and sudden roar of breakers sounding to anxiously strained ears in the still night; bright sunlit pictures of faraway tropical shores, with handsome olive figures glistening in the sun; the sight of strange faces, the sound of strange speech, the smell of a strange land; the glitter of gold; the sudden death-shriek breaking the stillness of some sylvan glade; the sight of blood on the grass . . . The Admiral's face undergoes a change; there is a stir in the room; some one signs to the priest Gaspar, who brings forth his sacred wafer and holy oils and administers the last sacraments.
There were butts of Malmsey from Candia; aloes and cassia and spices from Socotra; rhubarb from Persia; silk from India; wool from Damascus, raw wool also from Calais and Norwich. No wonder if the little house in the Vico Dritto di Ponticello became too narrow for the boy; and no wonder that at the age of fourteen he was able to have his way, and go to sea.
His thoughts often turned to his native Genoa, where he had played so happily as a child in the Vico Dritto di Ponticello; so, one day he sat down and generously wrote to the authorities of Genoa that, should his claims against the Spanish Crown ever be settled, a part of his money was to be used in paying the Genoese tax on wheat and wine, so that the poor might buy these two staples at a lower price.
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