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That of Soaking together is as good as if Dorimant had spoken it himself; and, I think, since he puts Human Nature in as ugly a Form as the Circumstances will bear, and is a staunch Unbeliever, he is very much Wronged in having no part of the good Fortune bestowed in the last Act.
She had the Play of Sir Fopling in her Hand, and after she had said it was happy for her there was not so charming a Creature as Dorimant now living, she began with a Theatrical Air and Tone of Voice to Read, by way of Triumph over me, some of his Speeches.
"There, behold it there in that lovely figure, in that face, that shape, those eyes, that mind which shines through these eyes; can the man who shall be in possession of these be inconstant? Impossible! my Sophia; they would fix a Dorimant, a Lord Rochester. You could not doubt it, if you could see yourself with any eyes but your own."
The character of Dorimant was supposed to represent the earl of Rochester, who was inconstant, faithless, and undetermined in his amours; and it is likewise said, in the character of Medley, that the poet has drawn out some sketch of himself, and from the authority of Mr.
I did not, I confess, explain myself enough on this Subject, when I called Dorimant a Clown, and made it an Instance of it, that he called the Orange Wench, Double Tripe: I should have shewed, that Humanity obliges a Gentleman to give no Part of Humankind Reproach, for what they, whom they Reproach, may possibly have in Common with the most Virtuous and Worthy amongst us.
It was with some Mortification that I suffered the Raillery of a Fine Lady of my Acquaintance, for calling, in one of my Papers, Dorimant a Clown. She was so unmerciful as to take Advantage of my invincible Taciturnity, and on that occasion, with great Freedom to consider the Air, the Height, the Face, the Gesture of him who could pretend to judge so arrogantly of Gallantry.
The Fainalls, etc. Fainall in Congreve's "Way of the World," Mirabel in Farquhar's "Inconstant," Dorimant in Etheredge's "Man of Mode," and Lady Touchstone in Congreve's "Double Dealer." Angelica. In "Love for Love." Sir Simon, etc. All these characters are in Wycherley's "Love in a Wood." King. Miss Pope. Candour, left the stage in 1808. Manager's comedy.
In reflecting upon these Works, I shall chiefly dwell upon that for which each respective Play is most celebrated. The present Paper shall be employed upon Sir Fopling Flutter. The received Character of this Play is, That it is the Pattern of Genteel Comedy. Dorimant and Harriot are the Characters of greatest Consequence, and if these are Low and Mean, the Reputation of the Play is very Unjust.
I shall believe in it, when Dorimant hands a fish-wife across the kennel; or assists the apple-woman to pick up her wandering fruit, which some unlucky dray has just dissipated.
It cannot be denied, but that the Negligence of every thing, which engages the Attention of the sober and valuable Part of Mankind, appears very well drawn in this Piece: But it is denied, that it is necessary to the Character of a Fine Gentleman, that he should in that manner trample upon all Order and Decency. As for the Character of Dorimant, it is more of a Coxcomb than that of Fopling.
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