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Ravel always goes directly through the center. But compare his "Rapsodie espagnol" with Debussy's "Ibéria" to perceive how direct he is. Debussy gives the circumambient atmosphere, Ravel the inner form. Between him and Debussy there is the difference between the apollonian and the dionysiac, between the smooth, level, contained, perfect, and the darker, more turbulent, passionate, and instinctive.
He, if any one, was in the habit of being moderate in all things, if only as a good example to his sons; and he had proved in many a Dionysiac feast that the god could not easily overpower him. The amount of wine he had drunk to-day would generally have had no more effect upon him than water, and yet he had felt now and then as if he were drunken, and the whole festal hall turned round with him.
Glaukias, the sculptor, had previously seen the Egyptian on the bridge, where he had detained those who were returning home from the city of the dead. He and his followers had already stopped the poet Argeios on his way, but the thyrsus staves of the Dionysiac revelers had somewhat spoiled the game for him and his satellites. He was probably still standing on the bridge.
The gray stone is covered with moss and greenery, and the whole scene for magnificence and impressiveness may be compared with the great Dionysiac theatre at Athens. As we lingered outside, it was pleasant to witness the pride of the inhabitants in this great monument.
Harmonides had no time to put this policy into practice. The story goes that in his first public competition he worked so energetically at his flute, that he breathed his last into it, and expired then and there, before he could be crowned. His first Dionysiac performance was also his last.
The figures of a Dionysiac procession, forming the frieze, looked down upon the feasters a fine relievo that had been designed and modelled for Ptolemy Soter by the sculptor Bryaxis, and then executed in ivory and gold.
Glaukias, the sculptor, had previously seen the Egyptian on the bridge, where he had detained those who were returning home from the city of the dead. He and his followers had already stopped the poet Argeios on his way, but the thyrsus staves of the Dionysiac revelers had somewhat spoiled the game for him and his satellites. He was probably still standing on the bridge.
Soon after the battle of Chaeronea, Ctesiphon had proposed that Demosthenes should be presented with a golden crown in the theatre during the great Dionysiac festival, on account of the services he had conferred upon his country. For proposing this decree AEschines indicted Ctesiphon; but though the latter was the nominal defendant, it was Demosthenes who was really put upon his trial.
A similar fallacy induced the Greeks to adopt a like symbolism in their Dionysiac festivals, and the superficial but striking resemblance thus produced between the two religions has perhaps more than anything else misled enquirers, both ancient and modern, into identifying worships which, though certainly akin in nature, are perfectly distinct and independent in origin. Osiris a God of the Dead
He must, therefore, have been well acquainted with all the ceremonial usages of the Dionysiac artificers, and must have enjoyed a long experience of the advantages of the government and discipline which they practised in the erection of the many sacred edifices in which they were engaged.
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