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Paesiello's "Didone," Paer's "Ero e Leandro," and Guglielmi's "Deborah e Sisera" rapidly succeeded, each one confirming afresh the admiration of her hearers, who were all cognoscenti, as Italian audiences generally are.

As I returned to the inn after a short walk, mine host handed me the bill of the play announcing four performances of the Didone of Metastasio at the Spada. Seeing no acquaintance of mine among the actors or actresses, I made up my mind to go to the play in the evening, and to start early the next day with post-horses.

Madame Piccinelli, from Paris, who sang at one of our concerts, acts at the opera. Herr Pick, who danced at Vienna, is now dancing here. The opera is "Didone abbandonata," but it is not to be given much longer. Signor Piccini, who is writing the next opera, is here. I am told that the title is to be "Cesare in Egitto." Noble of Hohenthal and attached to the Exchequer. Milan, Feb. 10, 1770.

"I am very sorry, but look around you and say what choice have I? I have no bread to give my children. I will do as much in your favour another time for nothing." "Are you not afraid of the gallows?" "No, for perjury is not punished with death; besides it is very difficult to prove." "I have heard you are a poet." "Yes. I have lengthened the Didone and abridged the Demetrio."

Populorum varia nomina. Clarissimi Nasamones, extra Africam propriam etiam Cyrenaica et Marmarica contermini; quos antea Mesammones Graci adpellaverunt, ab argumento loci, medios inter arenas sitos, et ab his sublati Psylli, quorum corpori ingenitum fuit virus exitiale serpentibus, ut cujus odore vel fugarent vel sopirent eas: et supra Carthaginem Libyphoenices, iidem et Poeni a Phoenice Tyro profecti, Duce Eliza sive Didone, qua Carthaginem condidit.

Induce the elector to forsake her, and leave her in Venice like another Didone abbandonata, while you carry him in triumph back to Munich." "I will, indeed I will!" exclaimed Lucretia, exultingly. "Ah, signora," said the marquis, coaxingly, "what a magnanimous and disinterested nature you display! You accede to my request without naming conditions.

As I returned to the inn after a short walk, mine host handed me the bill of the play announcing four performances of the Didone of Metastasio at the Spada. Seeing no acquaintance of mine among the actors or actresses, I made up my mind to go to the play in the evening, and to start early the next day with post-horses.

In the course of a couple of days I went to see her, when she sang it for me and accompanied herself, and I was obliged to confess that she had sung it precisely as I could have wished, and as I would have taught it to her myself. The words were chosen by himself from "Didone": "Ah non lasciarmi no." She and her daughter quite rave about this air.

"I am very sorry, but look around you and say what choice have I? I have no bread to give my children. I will do as much in your favour another time for nothing." "Are you not afraid of the gallows?" "No, for perjury is not punished with death; besides it is very difficult to prove." "I have heard you are a poet." "Yes. I have lengthened the Didone and abridged the Demetrio."

Lord Mount Edgcumbe saw her in the opera of "Didone," and avows bluntly that he could see nothing more of her acting than that she took the greatest possible care of her enormous hoop when she sidled out of the flames of Carthage. Dr.