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"Sir," said the tall Frenchman with the riband, eying the epicier with great disdain, "you say you are for the Restoration I am for the Empire Moi!" "No politics!" cried Mr. Love. "Let us adjourn to the salon." The Vicomte, who had seemed supremely ennuye during this dialogue, plucked Mr.

The novel-writer in constructing his dialogue must so steer between absolute accuracy of language which would give to his conversation an air of pedantry, and the slovenly inaccuracy of ordinary talkers, which if closely followed would offend by an appearance of grimace as to produce upon the ear of his readers a sense of reality. If he be quite real he will seem to attempt to be funny.

His father, who was naturally kind and indulgent, felt deeply grieved and mortified by the reflections arising from this visit. During the remainder of the day he seemed wrapped in thought; but we do not attempt to assert that the dialogue with his son was the sole cause of this.

Nor does the dialogue between Saul and Samuel necessarily, or probably, signify that Samuel spoke otherwise than by the voice of the wise woman. Ob means primitively a leather bottle, such as a wine skin, and is applied alike to the necromancer and to the spirit evoked.

We are always doing this; that is, we speak to the image we have of the other person. We try to anticipate his response and take away his freedom to respond and speak for himself. We choose our part of the dialogue in response to what we think his reaction will be and thereby rob ourselves of our freedom to be. There can be no communication between the images which two people hold of each other.

He always has a story to tell, tells it with the skill which means constructive development and a sense of situation; he creates characters who live, interest and do not easily fade from memory: he has exceptional power in so filling in backgrounds as to produce the illusion of atmosphere; and finally, he has, whether in dialogue or description, a wonderfully supple instrument of expression.

If calico an't good enough for such a purpose, it isn't good enough for anything. It's quite as becoming to the body. He can't look uglier than he did in that one. Scrooge listened to this dialogue in horror.

There is here a yet greater over-employment of conventional dialogue than in L'HOMME QUI RIT; and much that should have been said by the author himself, if it were to be said at all, he has most unwarrantably put into the mouths of one or other of his characters.

An hour afterward, I had delivered my message to Mordaunt, and was returning by the road over Fleetwood Hill, thinking of the singular dialogue between Mohun and the gray woman. What had these worthies meant by their mysterious allusions? How had Mohun found himself face to face on this stormy night, with two human beings whom he thought dead?

To eradicate this false idea he set himself to reason with them, and the following characteristic dialogue ensued: Arbiter: "If the Tsar gave all the land to the peasantry, what compensation could he give to the proprietors to whom the land belongs?" Peasant: "The Tsar will give them salaries according to their service."