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No special invitations were required. Any one interested in the art was made welcome, and found there a congenial atmosphere. Czerny, modest and retiring, had no thought of making social capital out of these concerts. No one not wholly devoted to the art was wanted, no matter what his social position was, and want of social position was no bar when the artistic qualifications were present.
Two prominent exceptions, however, were the Archduke Rudolph and Ferdinand Ries. True, Czerny was a pupil also, but the lessons did not continue long, as was the case with the Archduke and Ries. Beethoven's acquaintance with the Archduke began in the winter of 1804. Rudolph, then sixteen years of age, seems to have attached himself to Beethoven, then thirty-four, more as a friend than as a pupil.
When Wunsch was a young man, it was still daring to like Schumann; enthusiasm for his work was considered an expression of youthful waywardness. Perhaps that was why Wunsch remembered him best. Thea studied some of the KINDERSZENEN with him, as well as some little sonatas by Mozart and Clementi. But for the most part Wunsch stuck to Czerny and Hummel.
For a little, things went better; Schwarz was reported to have said that she had talent, great talent, and that he would make something of her; but soon, she was complaining anew: if there were any difference between Czerny and Bertini, Haydn and Dussek, some one might "slick up" and tell her what it was.
She turned to the yellow man to give him the order; but there was no mistaking the look which passed between them, saying on her side: "Allow me to do this," on his, "You will suffer for it afterwards." But he went up to the veranda of the house right enough, and while he was bawling to the cook, I spoke the first plain word to Mme. Czerny.
Czerny himself was so much delighted with the genius of his charge that he refused to accept the three hundred florins stipulated for his lessons, saying he was but too well repaid by the success of the pupil.
I'll go and see him now." She would be at the door before her teacher perceived that his opportunity was vanishing. "Norah, come back! If I'm to go out, you must play this first and get it right." Mr. Groom could be firm on occasions. "Come along, you little shirker!" and Norah would unwillingly return to the music stool, and worry laboriously though a page of the hated Czerny.
Who's to feed them, who's to house them? They can go ashore on Ken's Island and dance to the sleep-music; but they are not the sort to do that, from what we've seen of them! No, they'll have it out with Edmond Czerny; they'll want to know the reason why! And let the wind blow more than a capful," said I, "and by the Lord above me not a man among them will see to-morrow's sun!
Just a hundred, and cutlasses in their hands." "Aye," said I, "and a tree for every rogue that rows a boat yonder. Well, my lad, thinking's no good this night, nor can you get the bluejackets by whistling. We haven't all served our time in a Queen's ship, Dolly, and we're just plain seamen; but we'll try and speak a word to Edmond Czerny by-and-bye, or I'll never speak another.
Young Liszt was placed at Vienna under the tutelage of the celebrated pianist and teacher Czerny, and soon made such progress that he was able to play such works as those even of Beethoven and Hummel at first sight.
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