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The painter Piero di Cosimo, for example, is here, straight from Vasari; so also are Cronaca, the architect, Savonarola, Capparo, the ironsmith, and even Machiavelli; while Bernardo del Nero, the gonfalonier, whose death sentence Savonarola refused to revise, was Romola's godfather.

Thereupon he conceived the idea of returning to Florence, and departed from Rome; and on arriving in his native city, having become a passing good master of words, he described the marvels of Rome and of other places with such accuracy, that from that time onwards he was called Il Cronaca, every man thinking that he was truly a chronicle of information in his discourse.

After the death of Savonarola the party had many defaulters; but Baccio, the Delia Robbias, Credi, Cronaca, and many other artists, were faithful, and even showed their grief by abandoning for a time the arts they loved.

One was to be finished each year, the Operai paying all expenses, including the cost of living for the sculptor and his assistants, and paying him two golden florins a month. They built a house and workshops for him in the Borgo Pinti; it was designed by Il Cronaca. Michael Angelo lived there rent free until it was evident that the contract could not be carried out.

The architect Cronaca had charge of this task and acquitted himself of it with a celerity so marvelous that Brother Savonarola caused the rumor to spread that angels descended from heaven to help the masons and continued at night the interrupted work.

Matarazzo, in his Cronaca della Citt

But of this Hall, and of the other improvements that have been or are being made in the Palace, there will be a longer account in another place. This only let me say at present, that if Cronaca and those other ingenious craftsmen who gave the design for the Hall could return to life, in my belief they would not recognize either the Palace, or the Hall, or any other thing that is there.

The Duke having resolved to have this done, Bandinelli set his hand to making the design; but finding that the hall, as has been related in the Life of Cronaca, was out of square, and having never given attention to architecture, which he considered an art of little value, marvelling and even laughing at those who gave their attention to it, he was forced, on recognizing the difficulty of this work, to confer with Giuliano with regard to his model, and to beseech him that he, as an architect, should direct the work.

After Brunelleschi and Alberti came Michellozzo, the favourite architect of Cosimo de' Medici; Benedetto da Majano; Giuliano and Antonio di San Gallo; and Il Cronaca. Cosimo de' Medici, having said that "envy is a plant no man should water," denied himself the monumental house designed by Brunelleschi, and chose instead the modest plan of Michellozzo.

A slight electric shock passed through Tito as he rose from the chair, but it was not outwardly perceptible, for he immediately stooped to pick up the fallen book, and busied his fingers with flattening the leaves, while he said "No; he was at Fiesole, I thought. Are you sure he is come back to San Marco?" "Cronaca is my authority," said Nello, with a shrug.