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As I have said before, this is a question which, interesting as it is, is not really very important. The main thing being that the prophetic and creative spirit of mankind HAS from time to time evolved those figures as idealizations of its "heart's desire" and placed a halo round their heads.
They spoke again through the beautiful thwarted gift of this boy of twenty, through his foreboding of early death, and through that instinctive exercise of his creative gift, which showed itself not in music alone, but in the shaping of two lives Falloden's and Connie's. And Constance too was living and learning, with the intensity that comes of love and pity and compunction.
Do not ask them now to sink so low as the higher culture. I have my own little notions of the possible emancipation of women; but I suppose I should not be taken very seriously if I propounded them. I should favour anything that would increase the present enormous authority of women and their creative action in their own homes.
I may not be right in anticipating the eventual opinion of Allen Upward's book; but even if I am wrong, it will have helped perhaps to call attention to the essential failure of the Nobel Prize Trustees to side with the darers and experimenters in literature, to take a serious part in those great creative, centrifugal movements in the souls of men in which new worlds and the sense of new worlds are swept in upon us.
The individual who identifies himself with social projects, able to elicit his energy and enthusiasm, is more apt to forget the pettier interests of the moment in the broad sweep of creative endeavor than is the person who morbidly catechizes his conscience. A formal morality which looks inward and never outward is bound to be inefficient. Tension is no fit substitute for intelligent insight.
According to the first theory the creative power has been distributed over a series of acts, according to the second theory it has been concentrated in one primal creation. The second is the theory of the mutability of species, or, in general, of evolution, but not necessarily of Darwinism alone. The first theory is considered by many the more attractive and hopeful.
An original, forcible talent and a habit of leisurely but continuous working, broken by fits of strong creative enthusiasm, were at the bottom of it. His father's name had helped; a patrimony large enough to relieve him of the perilous imputation of being a struggling man had certainly not hindered. But his best aid to success had been an unconscious power of getting himself liked.
Moreover, the majority of the fifty titles, even in the forms in which they have reached us in the Semitic text, are demonstrably Sumerian, and since many of them celebrate details of their owner's creative work, a Sumerian original for other parts of the version is implied.
Having got as far as it has in the four previous stages, that is to the production of intellectual man as its correspondence, the next step in advance must be on the lines I have indicated unless, indeed, there were a sudden and arbitrary breaking of the Law of Continuity, a supposition which the whole Creative Process up to now forbids us to entertain.
Where, you asked, are the great creative energies? Well; in the West, certainly, they have flowed most where they can most be seen as energies. I think, through channels nearer this material plane: nearer the plane of intellect, at any rate. No: there is no question where the sheer brain force has been: it has been in the West. But then, where was it more manifest, in Pope or in Keats?
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