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She had been led through the best galleries, had been taken to the chief points of view, had been shown the grandest ruins and the most glorious churches, and she had ended by oftenest choosing to drive out to the Campagna where she could feel alone with the earth and sky, away-from the oppressive masquerade of ages, in which her own life too seemed to become a masque with enigmatical costumes.

The artist who had designed the costumes, Michel, a fair young man with a mystic's beard, was seated in the first row, on the arm of a stall. He leaned over and whispered into the ear of Roger, the scene-painter: "And to think it's the fifty-sixth time that he's dropped on Chevalier with the same fury!" "Well, you know, Chevalier is rottenly bad," replied Roger, without hesitation.

"I succeeded after several repulses, in securing a very humble position in one of the small theatres, where I officiated first with scissors and needle, in fitting costumes and in various other menial employments; studying ceaselessly all the while to prepare myself for the stage.

The result was seen in costumes of matchless splendour; the Emperor wore a French coat of red velvet embroidered in gold, a short cloak adorned with bees and the collar of the Legion of Honour in diamonds; and at the archbishop's palace he assumed the long purple robe of velvet profusely ornamented with ermine, while his brow was encircled by a wreath of laurel, meed of mighty conquerors.

We serve God with one hand, and we surely serve with the other the Mammon of selfishness and vanity. We have Lenten service, Lenten dietetics, Lenten costumes even; Lenten progressive euchre, Lenten clubs; but where are the Lenten virtues, where the genuine humility, charity, self-dedication of body and soul to true holiness?" "The church is a school.

With this, the tonneau door was shut, the car started, and we bounded away. A few men and women, in very interesting, Eastern costumes, quite different from anything we had seen yet, watched our progress in silence and with imperturbable faces, dark and proud.

The pictures of Hogarth have good qualities aside from their peculiar features. He made his interiors spacious, and the furniture and all the details were well arranged; his costumes were exact, as was also the expression of his faces; his painting was good, and his color excellent. In 1753 he published a book called the "Analysis of Beauty."

He forbade nakedness, as well as garments of hair and other uncomfortable costumes. The raiment which he prescribed consisted of three pieces of cloth of the colour called kâsâva. This was probably dull orange, selected as being unornamental.

For the matter of that, if three or four principal airs were suppressed from an opera and the scenery and costumes changed, many in that chattering circle would, I fear, not know what they were listening to. After a pause he remarked, “They are not by the same composer, anyway! Because the first’s by Rossini, and the Mariage is by Bon Marché. I’ve been at his shop in Paris.”

Yet, careful as he was, so pedantic that he must have puzzled his seventh-century audience, who never saw such caps, the poet knew nothing of the shields and costumes of the heroes, though he might have found out all that is known about them in the then existing Iliadic lays with which he was perfectly familiar see his portrait of Agamemnon.