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There, and here, in the Accademia, are his chief works assembled; but he worked also at Fiesole, at Cortona, and at Rome, where he painted frescoes in the chapel of Nicholas V in the Vatican and where he died, aged sixty-eight, and was buried.

Our Lord often gave His apostles examples of retreats, and they cannot be too often recommended to those who labor for the salvation of their neighbors. Francis, therefore, went with some of his brethren to meditate in the convent of Celles, near Cortona.

Signorelli, that great master of Cortona, may be studied to better advantage elsewhere, especially at Orvieto and in his native city. His work in this cloister, consisting of eight frescoes, has been much spoiled by time and restoration.

Florence humbled Pisa because Pisa held the way to the sea, she brought Arezzo and Siena low and bought Cortona because they stood on the roads to Rome, whose banker she was. And did not Pistoja guard the way to the north, to Bologna, to Milan, to Flanders, and England, whence came the wool that was her wealth?

Between the cousins Alessandro and Ippolito there was no love lost. As boys, they had both played the part of princes in Florence under the guardianship of the Cardinal Passerini da Cortona. The higher rank had then been given to Ippolito, who bore the title of Magnifico, and seemed thus designated for the lordship of the city.

Flaminius, greedy of glory he could never gain, refused to listen to the advice of his officers and wait for the arrival of the other consul, and set out in pursuit of Hannibal, who felt that victory was once more in his hands. The place which Hannibal chose for his battle was close to lake Thrasymene, a reedy basin in the mountains not far from the city of Cortona.

They mounted with creaking wheels the slow ascent up the picturesque glen where the Arno runs deep, to the white towers of Arezzo; then Cortona throned in state on its lonely hill-top, and girt by its gigantic Etruscan walls; next the low bank, the lucid green water, the olive-clad slopes of reedy Thrasymene; last of all, the sere hills and city-capped heights of their goal, Perugia.

The colouring of PIETRO DA CORTONA is far more agreeable and more captivating. Among the small pictures by LE BRUN, N deg.s. 14 and 16 deserve to be distinguished; but his chefs d'oeuvre are the achievements of Alexander.

However, he did not succeed in being able to rest during that time, for the reason that he could not refuse to go in those days to Cortona, where he painted in fresco the vaulting and the walls of the Company of Jesus with the assistance of Cristofano, who acquitted himself very well, and particularly in the twelve different sacrifices from the Old Testament which they executed in the lunettes between the spandrels of the vaulting.

Having then been summoned by a Scopetine friar, his kinsman, to Cortona, Jacone painted two altar-pieces in oils for the Church of the Madonna, which is without the city.