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I do not wish to leave that country wherein our great mother Nature, in order not to be thought partial, gave to the world extraordinary men of that sort with which she had already for many and many a year adorned Tuscany; among whom was one endowed with an excellent and very beautiful genius, by name Antonio da Correggio, a most rare painter, who acquired the modern manner so perfectly, that in a few years, what with his natural gifts and his practice in art, he became a most excellent and marvellous craftsman.

Girolamo likewise studied the figures by the hand of the same Correggio in the recess of the principal chapel in S. Giovanni Evangelista namely, the Coronation of the Madonna, with S. John the Evangelist, the Baptist, S. Benedict, S. Placido, and a multitude of Angels who are about them; and the marvellous figures that are in the Chapel of S. Gioseffo in the Church of S. Sepolcro a divine example of panel-painting.

Not so Correggio: he paints a thick trellis of vine-leaves, with oval openings, and lovely children leaping through them into the room; and lovely children, depend upon it, are rather more desirable decorations than diaper, if you can do them but they are not quite so easily done. In like manner Tintoret has to paint the whole end of the Council Hall at Venice.

Fortunately, both Leonardo himself, as well as Calmeta and Pistoia, were on friendly terms with Gaspare Visconti, who, originally a scholar of Prestinari, became the chief representative of the Lombard school of poetry at Milan, and whom Beatrice's secretary places next to Niccolo da Correggio among the best poets of her court.

No age, we fancy, can surpass Italy in the fifteenth and sixteenth centuries, when the genius of Raphael, Correggio, and Domenichino blazed with such wonderful brilliancy. Nevertheless, we read of celebrated schools among the ancients, all of which recognized form as the great principle and basis of the art, even like the moderns.

He practised as a solicitor in Edin. 1840-45, after which he went to London and became head of the firm of Martin and Leslie, parliamentary agents. His translations include Dante's Vila Nuova, Oehlenschläger's Correggio and Aladdin, Heine's Poems and Ballads, Schiller's Song of the Bell, and Hertz's King René's Daughter.

If then we return to Ferrari's angels at Saronno, we find that the painter of Varallo chose a safer though a far more modest theme. Nor did he expose himself to that most cruel of all degradations which the ethereal genius of Correggio has suffered from incompetent imitators.

Upon the wall of the parlor, above the mantel, there is a picture of Diana, the goddess of the moon and the protector of young animals, which is a beautiful picture. When Correggio worked on the frescoes at the Church of St. John, he lived much in the monastery connected with it.

In the following year the painter had engaged to paint an altar-piece for an employer, who paid Correggio in advance twenty-five gold crowns, but the latter dying very soon afterwards, in the forty-first year of his age, 1534, his father, who was still alive, was in circumstances to repay the advance on the picture, which had not been painted.

The characteristic expression of the female faces of Correggio that of the yearning human thoughts that lie too deep for tears was hers sometimes, but seldom under ordinary conditions.