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To Comus, then, my noble friend would give sixty-five years of copyright, and to the Paradise Lost only thirty-one years. Is that reasonable? Comus is a noble poem: but who would rank it with the Paradise Lost? My plan would give forty-two years both to the Paradise Lost and to Comus. Let us pass on from Milton to Dryden.

To avoid becoming the bore of the domestic circle, he proposed to ease off this surcharge of the intellect by inflicting his tediousness on the public through the pages of the periodical. Irving. During this period he interested himself in an international copyright, as a means of fostering our young literature.

This man purchased the copyright of the debate, and pledged himself to issue a correct edition, in accordance with the notes of the reporter. Instead of doing so, besides making unlimited alterations in his own speeches, he altered every speech of mine. Some things he left out.

They have been the property of the Theater so long, and so many rising geniuses have enlarged or altered them, inserting a speech, or a whole scene, or adding a song, that no man can any longer claim copyright in this work of numbers. Happily, no man wishes to. They are not yet desired in that way. We have few readers, many spectators and hearers. They had best lie where they are.

Until their own country relieves them, by putting foreign works on a level with theirs as to chance of success, England gives them no copyright, and they cannot get aid from her as heretofore. Cooper and Irving were encouraged by England under a different state of things; and it is safe to say, that under present circumstances there will be no more Irvings and Coopers.

I then made to Wesendonck the same offer in regard to my Nibelungen that I had made to the Grand Duke of Weimar, that is to say, I proposed that he should buy the copyright for publishing the work.

He was then preparing for the publication of his new Tales, from the famous house in Albemarle Street. Two years before, in 1817, on the strength doubtless of Rogers's strong recommendation, Murray had made a very liberal offer for the new poems, and the copyright of all Crabbe's previous works. For these, together, Murray had offered three thousand pounds.

This invaluable collection of books, manuscripts, and illustrative art has grown to such proportions, in connection with the copyright system of the country, as to demand the prompt and careful attention of Congress to save it from injury in its present crowded and insufficient quarters.

"I'll respect your copyright. I'll give you a royalty on what I get for the story." "Very good," he answered. "It was like this. To begin, I must tell you that when I was a boy preparing for college I had for a chum a brilliant fun-loving fellow named Hawley Hicks, concerning whose future various prophecies had been made.

Derrick regarded the strange youth with a mixture of amusement and surprise, not untinctured by jealousy. "You speak, Mr. Rex, as if you held the copyright of Miss Grant," he said. "Don't be offended; I'll explain," said Reggie, leaning back and folding his arms, and returning Derrick's gaze with one of extreme candour. "You see, Miss Grant once did me a service "