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I went to the tree under which we stood, when my dear one's eyes told his love before he could utter it in words. The sun of that vanished day shone on me again; it was the same noontide hour; the same solitude was around me. I had feared the first effect of the dreadful contrast between past and present. No! I was quiet and resigned.
Hannah's satisfaction over the new stove had by no means subsided, and Edward ventured, without reproof, to praise the restored quality of the pie crust. And in contrast to her usual moroseness and self-absorption, even Lise was gay largely because her pet aversion, the dignified and allegedly amorous Mr.
"Ye Olde Time Pycke-Nycke," largely advertised in hand-bills beginning "Oyez, Oyez!" and largely frequented by knights, monks, and cavaliers, was drowned out by unseasonable rain, and returned to the city one of the saddest spectacles I ever remember to have witnessed. In pleasing contrast, and certainly our chief success, was "The Gathering of the Clans," or Scottish picnic.
A black gulf opens in them, from which we are meant to start back with the prayer, 'Preserve me from going down into that pit! What a contrast to the tempest of the demoniac's wild and whirling words is the calm speech of Christ!
The third, I had two pounds five, and now I find that this last week has brought in two pounds eighteen; so I am moving in the right direction. Of course, it compares absurdly enough with Cullingworth's twenty pound a day, and my little quiet back-water seems a strange contrast to the noisy stream which pours for ever through his room.
The contrast established between instinctive acts and intellectual acts is, nevertheless, perfectly true, but only when we compare the extremes.
This is the real attraction which, grafted upon the heavy structure of the foreground affects us the more through the contrast. In Mr. Pettie’s picture of “James II and the Duke of Monmouth,” we have the opposition of the two lines, the attraction in the open space being the line of seats along the wall.
Smiling, she watched the girl's face, then the face of her guest, her eyes bright and mirthful glancing from one to the other. Fan, looking up, saw before her a tall broad-shouldered young man with good features, hair almost black; no beard, but whiskers and moustache, very dark brown; and, in strange contrast, grey-blue eyes.
They were in marked contrast to the peasant folk with the high-peaked soft hat, knee-breeches, rough tail-coat, and stockings, some with rifles, some with pikes, some with powder-horns slung under their arms or in the small of the back.
This scene, this contrast, this excess of grief had over-powered my-sensibility; I remember only the moment when the death-rattle of the departing one interrupted the Countess in the middle of the second piece. The instrument was quickly removed, and beside the bed remained only the priest who said the prayers for the dying, and the kneeling friends around him.
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