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During the latter portion of these sittings, especially that of Saturday, the "control" seemed to withdraw altogether, and for two or three hours the circle was in apparent communication direct, rapid, uninterrupted with an intelligence that may conveniently be termed the "Composer." The paraphernalia for these sittings comprised the following: 1. A small, light, walnut centre-table, which Mr.

After poring over a few pages, he placed his hands on the book and said, solemnly: "He is the greatest, the master of them all; the only composer who had as much science as he had genius, and as much genius as he had science."

And while the ensemble spirit must be preserved, the freedom of the individual should not be too much restrained. Once the style and manner of a modern composer are familiar, it is easier to present his works: when we first played the Reger quartet here some twenty years ago, we found pages which at first we could not at all understand.

The marshal had given the musician a blow, on which Paisiello, a very large, athletic man, drubbed the Russian general most unmercifully. The latter demanded the immediate dismissal of the composer for having insulted a dignitary of the empire.

One happy evening they spent with Josef Haydn who, after hearing some of Mozart's quartets played, took the father aside, saying: "I declare before God, as a man of honor, that your son is the greatest composer I know, either personally or by reputation. He has taste, but more than that the most consummate knowledge of the art of composition."

At his second concert he played an adagio of Mozart. It was full of tender delicacy and the graceful imagination that makes all his music romance. All this the artist felt, and every tone that followed his bow was exquisite. Then was it seen how all genius meets. It was as if the composer lay in the violin and sang the song anew, as if Raphael recited one of Shakespeare's sonnets.

The "Novice of Palermo" he had given up entirely after the bankruptcy of the Renaissance Théâtre, because, as he wrote, "I felt that I could no longer respect myself as its composer."

Meanwhile I had been devoting all possible time to music; for I had determined to become a composer, and I was looking forward, after taking my degree, to completing my musical education abroad; but my mother's health was precarious, and, when the time came, she found herself unequal to making the journey, and the change of habits and surroundings that it implied.

The press praised him highly, and many compared him to the wonderful genius, Mozart. Adam Liszt wished him now to see more of the world, and make known his great talents, also to study further. He decided to take the boy to Paris, for there lived the celebrated composer, Cherubini, at that time Director of the Paris Conservatoire. On the way to Paris, concerts were given in various cities.

At the height rings out the main tune of yore, transformed in triumphant majesty. The musical design embraces various phases. First is the clear rhythmic sense of the ride. We think of other instances like Schubert's "Erl-King" or the ghostly ride in Raff's "Lenore" Symphony. The degree of vivid description must vary, not only with the composer, but with the hearer.