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Then a deep bass voice called out, "Ha! there is Christian flesh here! Ha! there is Christian flesh!" Cur, mi Deus? The spell by knotting the girdle is noticed by Virgil, 8th eclogue: "Necte tribus nodis ternos Amarylli colores; Necte Amarylli modo, et Veneris die vincula necto."
Modicum est maior Aquila, cristam in capite maiorem pauonis, collum habens croceum, dorsum Indicum, alas purpureas, caudam duobus coloribus, per transuersum croceo et rubeo regulatam, qui singuli colores sunt ad splendorem Solis delectabiliter videntibus resplendentes.
A lady who had not learned discretion by experience, and came to an evil end. He shook his head, as he sadly repeated, " misera ante diem, subitoque accensa furore;" but when he came to the lines, "Ergo Iris croceis per coelum roscida pennis Mille trahens varios adverso Sole colores,"
"Indeed, perhaps you, gentlemen, have come for the same purpose!" he said smiling. "Everyone comes for that now. Once upon a time they came to see a pope! Certainly! There was a pope at Jenne once Alexander IV, You will see the inscription: 'Colores æstivos vitandi caussa. Now they come for a saint. He ought to be more than a pope, but I fear he is less.
"Toutes les parties superieures de leurs cuisses et le grand espace nu de leurs fesses sont egalement colores du rouge le plus vif, avec un melange de bleu qui ne manque reellement pas d'elegance." Gervais, 'Hist. Nat. des Mammiferes, 1854, p. 103. Also Desmarest, 'Mammalogie, p. 70. Geoffroy St.-Hilaire and F. Cuvier, 'Hist.
A lady who had not learned discretion by experience, and came to an evil end. He shook his head, as he sadly repeated, " -misera ante diem, subitoque accensa furore;" but when he came to the lines, "Ergo Iris croceis per coelum roscida pennis Mille trahens varios adverso Sole colores,"
You think Rhetoric should be glowing, fervid, impetuous? No, says Simon Memmi. Above all things, cool. And now let us read what is written on her scroll: Mulceo, dum loquor, varios induta colores. Her chief function, to melt; make soft, thaw the hearts of men with kind fire; to overpower with peace; and bring rest, with rainbow colours.
While he is darting and playing around the vessel, a sailor goes out to the spritsailyard-arm, and with a long staff, leaded at one end, and armed at the other with five barbed spikes, he heaves it at him. If successful in his aim, there is a fresh mess for all hands. The dying dolphin affords a superb and brilliant sight: “Mille trahit moriens, adverso sole colores.”
A lady who had not learned discretion by experience, and came to an evil end. He shook his head, as he sadly repeated, " misera ante diem, subitoque accensa furore"; but when he came to the lines, "Ergo Iris croceis per coelum roscida pennis Mille trahens varios adverso Sole colores,"
Rhetoric, in Lydgate, is not used in its classical sense, but as being synonymous with ornate language style. Here and here only does Lydgate discuss any part of rhetoric in its classical implications. When, in his poem, he discusses the craft of writing as including "coulours gay," he refers to the figures of classical rhetoric Cicero's "colores verborum."
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