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Since that rather faint praise Gauguin is aloft with the Olympians. His art is essentially classic. Again his new themes puzzled critics. A decorative painter born, he is fit for the company of Baudry the eclectic, Moreau the symbolist, Puvis de Chavannes, greatest of modern mural painters, and the starlit Besnard. A rolling stone was Gauguin, one that gathered no stale moss.
In modern painting such exceptions, and widely different from each other as the poles, are Couture and Puvis de Chavannes. Better than in either the true romanticists with the classic strain, or the academic romanticists with the classic temperament, the blending of the classic and romantic inspirations is illustrated in Couture. The two are in him, indeed, actually fused.
"In proof of which no danger, we have been all frightened nearly to death; Mademoiselle Valerie de Chatenoeuf has been grievously affronted, and I am not sure but she would have been beaten by a French Chevalier d'Industrie, had it not been for the gallantry of the Count de Chavannes."
On wall D is a panel by Puvis de Chavannes, who has influenced modern mural painting more than any other artist. This picture has the typical union of the classic feeling with very modern technique, but it is representative of de Chavannes' manner rather than of his whole art at its best. Gallery 63-English Influence. This is the richest of the historical rooms.
One of the frescoes of Puvis de Chavannes in the Panthéon, the last to the left, represents an old woman leaning over a stone terrace and gazing at the town beneath her with its moonlit roofs and its surrounding plain, looking bluish in the night. The city is asleep, but the holy woman watches and prays. She stands tall and upright as a lily.
Nothing, however, I must admit, could have been more gentlemanly or in better taste, than the whole demeanour of Monsieur de Chavannes, and I could not help feeling this, and comparing it mentally with the inferior bearing of others I had seen, even in the midst of my fit of hauteur and frigidity.
And it was no doubt a feeling of the weakening influence on art, as an expressive force, of the elaborate realisations of the modern school, that prompted Puvis de Chavannes to invent for himself his large primitive manner. It will be noticed that in these instances it is chiefly the insistence upon outline that distinguishes these artists from their contemporaries.
And still another very striking memory of Boston indeed, perhaps, the paramount impression! is that it contains the loveliest modern thing I saw in America namely, the Puvis de Chavannes wall-paintings on the grand staircase of the Public Library. The Library itself is a beautiful building, but it holds something more beautiful.
"Ingres, did you say? I must try to remember.... Puvis de Chavannes? What a curious name! but I do like his picture. He has given that man Donald's shoulders," she said, laying her hand on my arm and stopping me before a picture of a young naked man sitting amid some grey rocks, with grey trees and a grey sky.
But now it is all gone, and I am so thankful for this moment of peace. I made Dr. de Chavannes tell me the whole truth. Paul and I have always promised one another that there should never be any concealment between us when either of us came to die, and I think I shall have a few hours more with you.
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