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So great is this influence so unconsciously do we associate the type of spiritual with material beauty, that perhaps the world might have been purer and better if its onward progress in what it calls civilisation had not so nearly destroyed the fair mould of symmetry and loveliness which tradition celebrates. It would have done any one's heart good only to look at Sybilla Rothesay.

There is much in it that is not poetical in the popular sense, much that is neutral and negative, and yet is an integral part of the whole, as is the case in the world we inhabit. If it offends, it is in a wholesome way, like objects in the open air. Whitman rarely celebrates exceptional characters. He loves the common humanity, and finds his ideals among the masses.

His life is spared at Rukmini's behest, but he is led away, his hands tied behind his back and his moustaches shaven off. Balarama intercedes and effects his release and Rukma goes away to brood on his discomfiture and plot revenge. Krishna now returns to Dwarka in triumph, is given a rapturous welcome and a little later celebrates his marriage with full ritual.

Philosophically and practically also Lucretius leans throughout on Ennius, the only indigenous poet whom his poem celebrates. The confession of faith of the singer of Rudiae -Ego deum genus esse semper dixi et dicam caelitum, Sed eos non curare opinor, quid agat humanum genus-:

Laughter celebrates a twofold victory, first over ourselves, in that we do not allow our disappointments to spoil our serenity, and second over the world, in that, even when it threatens to render us unhappy, we prevent it.

The first benefit comes to the priest who celebrates the Mass; the second, to the one for whom he offers the Mass; the third benefit to those who are present at it; and the fourth to all the faithful throughout the world. *270 Q. Which is the best manner of hearing Mass?

When all goes wrong, when religious, social, and political animosities and hatred disturb the peace; when unintelligible controversies on the inherited sin, the origin of evil, justification, and transubstantiation, "grace and free will," the creative and the created, mystic incantations, real and unreal presences, the like but not equal, the affirmative and the negative natures of God and man confuse the finite brains of infinite talkers and repeaters of the same things; when they quarrel about the wickedness of the hen who dared to lay an egg on the Sabbath; when the glaring torch of warfare is kindled by the fire of petty animosities, then the Evil Spirit of egotism celebrates its most glorious festivals.

Much more in his true vein were the lines, "Clear and Gentle Stream," and all the other verses in which, like a true Etonian, he celebrates the beautiful Thames: "There is a hill beside the silver Thames, Shady with birch and beech and odorous pine, And brilliant under foot with thousand gems Steeply the thickets to his floods decline.

Religious rites are, first, rites of approach, whereby the community draws nigh to its god; and, afterwards, rites of sacramental meals whereby the community celebrates its reconciliation and enjoys communion with its god.

This romantic story was the origin of several old English ballads, one of which celebrates the Saracen lady by the extraordinary title of Susy Pye, perhaps a vulgarism of her original Eastern name. In the first year of his marriage, Gilbert went on pilgrimage again, leaving his wife under the care of his man Richard.