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At the base it must be three braccia and three quarters in thickness, and it must rise pyramidically, narrowing from without, until it closes at the point where the lantern is to be; and at this junction the vaulting must be one braccio and a quarter in thickness.

And his Excellency ordained that the work should not be given to any of the puppet-painters, who for many years past had made a thousand absurdities in the girandole, but that an excellent master should produce a work that might have in it something of the good; wherefore the charge of this was given to Tribolo, who, with the ingenuity and art wherewith he had executed all his other works, made one in the form of a very beautiful octagonal temple, rising with its ornaments to the total height of twenty braccia.

These pilasters were to have between one and another a space of about three braccia, and in each of these spaces was to be a niche four braccia and a half in height, to contain statues, by way of accompaniment to the great niche in the middle of the façade and the two at the sides; in each of which niches Baccio wished to place three statues.

Having therefore gone to Bologna, he set his hand to the work and executed it in twenty-eight months, making that altar, which shuts off the choir of the friars from one pilaster to the other, all of marble both within and without, with a nude Christ of two braccia and a half in the centre, and with some other statues at the sides.

How beautiful is this building it demonstrates by itself. From the level of the ground to the base of the lantern it is one hundred and fifty-four braccia in height; the body of the lantern is thirty-six braccia; the copper ball, four braccia; the cross, eight braccia; and the whole is two hundred and two braccia.

At the height of every nine braccia in the said vaults there must be little arches between one buttress and another, with thick ties of oak, to bind together the said buttresses, which support the inner vault; and then the said ties of oak must be covered with plates of iron, for the sake of the staircases.

The same man, while still a youth, made a figure of the Prophet Daniel in marble for the façade of S. Maria del Fiore, and afterwards one of S. John the Evangelist seated, four braccia high, and clothed in a simple garment: which figure is much extolled.

Which done, he made a beginning with one of the stories, but he did not paint more than about two braccia of it, and two of the Kings in the tabernacles of stucco over the doors.

He finished this work in the year 1460, and afterwards, for the façade of the palace where the Legate of Bologna now lives, he made a Madonna in bronze, four braccia high, and placed it in position in the year 1478. In a word, he was an able master and a worthy disciple of Jacopo della Quercia of Siena.

These eight angels, supported by the said iron, were lowered from the space within the half-globe by means of a small windlass that was unwound little by little, to a depth of eight braccia below the level of the square beams that support the roof, in such a manner that they were seen without concealing the view of the angels who were round the inner edge of the half-globe.