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He has drawn right away from "the field" to join those leaders Matisse, Picasso, Derain, Bonnard, shall we say, with one or two more in close attendance a cursory glance at whom, as they flash by, provokes this not unprofitable exclamation: "How different they are!" Apparently, amongst the chiefs, that famous movement no longer counts for much.

"Monsieur Bonnard, do not refuse to accept a seat in my carriage. You can chat with me on the way about antiquity, and that will amuse me ever so much."

Bonnard, you must really try to devise some means of keeping that young man away from her; you really ought.... Eh! how am I to know what I am to do?... Monsieur and Mademoiselle finally condescend to take some notice of me, now that I seem too busy to take any notice of them. I really think that Mademoiselle Jeanne has even asked me what I am reading.

Mademoiselle Prefere, after staring at me for a few moments with an expression in her little round dry eyes which I had never seen there before, suddenly resumed her customary sweetness and graciousness. Then she cried out in honeyed tones, "Oh! these learned men! these studious men! They are like children. Yes, Monsieur Bonnard, you are a real child!"

I cried; "ten years imprisonment for having saved an innocent child." "That is the law!" answered Monsieur de Gabry. "You see, my dear Monsieur Bonnard, I happen to know the Code pretty well not because I ever studied law as a profession, but because, as mayor of Lusance, I was obliged to teach myself something about it in order to be able to give information to my subordinates.

A young girl, whose fair oval face the sun of eighteen summers has warmed into exquisite beauty, sits musingly under a cypress tree. Her name is Anna Bonnard, and she is famous in all the city for her beauty, as well as the symmetry of her form. Her dress is snowy white, fastened at the neck with a blue ribbon, and the skirts flowing.

I began to fear I had been observed. I knew that I had done wrong in bribing a servant, but I was not a bit sorry for it. Woe to the man who does not know how to break through social regulations in case of necessity! Another quarter of an hour passed. Nothing. At last the window was partly opened. "Is that you, Monsieur Bonnard?" Is that you, Jeanne? tell me at once what has become of you."

"Have you read," said Boulmier, "the article of Tamisey de Larroque in the 'Revue des Questions Historiques'?" "Good!" I thought to myself, for the second time. "Yes," replied Gelis, "it is full of things."... "Good!" I said to myself, for the third time. "Mai foi! no!" replied Gelis. "Bonnard is an idiot!" Turning my head, I perceived that the shadow had reached the place where I was sitting.

He gives us a work of art. To consider a picture by Vuillard, whose work is often compared with that of Bonnard, might help us here. Vuillard loves what he paints, and his pictures are attractive, as often as not, chiefly because they represent lovely things. A picture by Bonnard, for all its fascinating overtones, has a life entirely of its own.

"Monsieur Sylvestre Bonnard," she said to me, "you are nothing but an old pedant. I always suspected as much. The smallest little ragamuffin who goes along the road with his shirt-tail sticking out through a hole in his pantaloons knows more about me than all the old spectacled folks in your Institutes and your Academies. To know is nothing at all; to imagine is everything.