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A female form, fashioned with the carver's best skill, stood on the projection of the cut-water. The figure rested lightly on the ball of one foot, while the other was suspended in an easy attitude, resembling the airy posture of the famous Mercury of the Bolognese. The drapery was fluttering, scanty, and of a light sea-green tint, as if it had imbibed a hue from the element beneath.
But when the plans for the rising of the Bergamascs and Brescians, the Venetians, the Bolognese, the Milanese, all the principal Northern cities, were recited, with a practical emphasis thrown upon numbers, upon the readiness of the organized bands, the dispositions of the leaders, and the amount of resistance to be expected at the various points indicated for the outbreak, her hands disjoined, and she stretched her fingers to the grass, supporting herself so, while her extended chin and animated features told how eagerly her spirit drank at positive springs, and thirsted for assurance of the coming storm.
Stendhal does not admire these clocks, but he almost does. He admires Domenichino and Guer- cino, and prizes the Bolognese school of painters be- cause they "spoke to the soul." He is a votary of the new classic, is fond of tall, squire, regular buildings, and thinks Nantes, for instance, full of the "air noble."
The next day found them in the Bolognese gallery, which is the first which duly impresses the traveller, coming from the north, with the full powers of the art. The soul of music seems to dwell in the face of the St.
Bolognese lawyers lectured on the Pandects of Justinian, and by their work the whole legal education of the day was transformed; old prejudices and old traditions lost the authority which had long hedged them about, and the new code threatened to destroy everywhere the imperfect systems of the past with which it came in contact.
John Addington Symonds, in a chapter of 'The Renaissance in Italy' treating of the Bolognese school of painting, which once had so great cry, and was vaunted the supreme exemplar of the grand style, but which he now believes fallen into lasting contempt for its emptiness and soullessness, seeks to determine whether there can be an enduring criterion or not; and his conclusion is applicable to literature as to the other arts.
Michelangelo very naturally seconded the anathematization of the Bolognese by Julius, not so much for the insult to the Pope as for the wretched lack of taste they had shown in destroying a work of art. Had they left the beautiful statue there on its pedestal, Bologna would now on that account alone be a place of pilgrimage.
Just then he met a friend of his, Vincenzio, a Bolognese musician, who remarked that Cardan was not in his carriage as usual. The old man went on towards the citadel, but saw nothing of the carriage; and now he began to be seriously troubled, for there was naught else to be done but to go back over the bridge, and he was wearied with long fasting and his heavy clothes.
Meanwhile, the abbot arose stealthily in the night and with the aid of a Bolognese monk, in whom he much trusted and who was that day come thither from Bologna, took up Ferondo out of the tomb and carried him into a vault, in which there was no light to be seen and which had been made for prison of such of the monks as should make default in aught.
At the same time he sent a plan, proposing to march along the Via Emilia, to collect arms and volunteers, proclaim the levy in mass, and with a division stationed in the Bolognese territory, operate in the duchies, unite Tuscan, Ligurian, and Piedmontese forces, and once more assail the Austrians.
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