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Jacob Boehm's mistiest dreams are clearness itself compared with the English prophet's utterances. Others might talk of the divine cause or the divine power or the divine person, "fumbling exceedingly" and falling back in an intellectual swoon upon the stony bosom of the Unknowable.

There was a vigour in his declaration and a haste with which he began to talk of other matters that gave me a hint that the doctor knew more of the doings of the chemical staff than he cared to admit, but I thought it wise not to press the point. The second day of Boehm's stay with me, he unmantled his apparatus and asked me to submit to a further examination.

Gerock being opposed to an oblique direction of the strings and hammers, Boehm found a more willing coadjutor in Wolf. As far as I can learn, a piccolo, a cabinet, and a square piano were thus made overstrung. Boehm's argument was that a diagonal was longer within a square than a vertical, which, as he said, every schoolboy knew.

In Grove's "Dictionary," I have given an approximate date to his overstringing as 1835, but reference to Boehm's correspondence with Mr. Walter Broadwood shows me that 1831 was really the time, and that Boehm employed Gerock and Wolf, of 79 Cornhill, London, musical instrument makers, to carry out his experiment.

Not that he, as an inspired prophet, could for one moment admit that he had received any light from man or was under any obligation to anything but the divine illumination enlightening him directly and immediately; but the obligation was there all the same, and to Jacob Boehm's influence we must attribute the evolution of the distinctive doctrine of the Muggletonians, which just about this time comes into obtrusive prominence.

Jacob Boehm's mysticism, passing through the alembic of such a mind as Leader's, and subjected to that occult atmosphere which Muggleton lived in, came forth in the shape of a new theology, transcendental, unintelligible, but therefore celestial and sublime. The prophets from this moment made a new departure.

Our own conjecture is that it is named for Jacob Boehm, the oldtime brewer of Germantown, who predicted in his chronicles that the world would come to an end in July, 1919. From his point of view he was not so far wrong. Above Boehm's Rock, in a grassy level among the trees, a merry little circle of young ladies was sitting round a picnic supper.

I smiled complacently at the psychic expert. "Now, doctor," I said, "you do not mean to tell me that you really think there is anything wrong with my mentality?" A look of craftiness flashed from Boehm's eyes. "I have given you my diagnosis," he said, "but it may not be final. I have already communicated my first report to His Majesty and he has ordered me to remain with you for some days.

If for the next twenty-five years we might celebrate the memory of each great man by the destruction of a statue we might undo a great part of the mischief for which Royalty is mainly responsible. I do not speak of Boehm's Jubilee coinage the melting-pot will put that right one of these days but his statues, beyond some slight hope from the dynamiters, will be always with us.