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Doris had not thought much about it, but now she was suddenly, unreasonably glad. She laid her head down on Betty's knee and looked at the dancing flames, the purples and misty grays, the scarlets and blues and greens, all mingling, then sending long arrowy darts that ran back and hid behind the logs before you could think. Mrs.
Randal paused, took breath, read the words attentively, and amidst a general titter; his presence of mind returned to him; he saw a way out of the scrape, collected himself, suddenly raised his head, and in tones unexpectedly firm and fluent, enlarged on the text afforded to him, enlarged so well that he took the audience by surprise, pleased the Blues by an evidence of Audley's generosity, and touched the Yellows by so affectionate a deference to the family of their two candidates.
Again, if we had decided that he was a Jew, we should point out how absorbed he was in the terrible simplicity of monotheism: we should be right, for he was so absorbed. Or again, in the case even of the negro fancy; it would not be difficult for us to suggest a love of colour, a certain mental gaudiness, a pleasure "When reds and blues were indeed red and blue,"
They swayed and rustled above us, flinging their interlacing shadows upon us, and their swaying and their rustling soothed and comforted like the voice and touch of a mother. And the mountains, too, in all the glory of their varying robes of blues and purples, stood calmly, solemnly about us, uplifting our souls into regions of rest.
Perhaps he himself did not know what gave him this horrible attack of "the blues," but the truth is he took out his handkerchief and cried like a baby from very loneliness and misery. There was no one to see him, thank goodness! and the tears gave him considerable relief.
Lady Jocelyn belonged properly to that order which the Sultans and the Roxalanas of earth combine to exclude from their little games, under the designation of blues, or strong-minded women: a kind, if genuine, the least dangerous and staunchest of the sex, as poor fellows learn when the flippant and the frail fair have made mummies of them.
It was a Gothic window of stained glass, very large, the centre figures being armed warriors, Parsifal and Lohengrin; the one with a banner, the other with a swan. The effect was exquisite, the window a veritable masterpiece, glowing, flaming, and burning with a hundred tints and colours opalescent, purple, wine-red, clouded pinks, royal blues, saffrons, violets so dark as to be almost black.
Quiet greens and blues, mingled with white, showed the artistic mind; the chairs and sofas were a trifle stiff and straight legged; the electric fittings were of a Georgian plainness to match the Colonial architecture of the house; the beautiful self-coloured carpet was indeed Persian and costly, but it betrayed its costliness only to the expert.
All of the carving was colored with translucent greens and blues enhancing the graceful undulations and wave movements. The panels were all designed to illustrate some of the most important views of the waterways of New York State. The first represented New York harbor, the next East river spanned by Brooklyn bridge, another the Hudson, with its palisades.
Victor Hugo has given to this typic historical struggle of '93 the qualities of nobleness and beauty which art requires in dealing with real themes. Lantenac falls into the hands of the Blues, headed by Cimourdain and Gauvain, but he does so in consequence of yielding to a heroic and self-devoting impulse of humanity. Cimourdain, true to his temperament, insists on his instant execution.
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