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We shall have afterwards to show that the Augustan literature, compared with the kindred literature of the period of the Diadochi, was far less a literature of philologues and far more an imperial literature than the latter, and therefore had a far more permanent and far more general influence in the upper circles of society than the Greek Alexandrinism ever had.
But the loss of the bulk of his work is matter of sincere regret, because it undoubtedly gave a vivid and detailed picture of the social life and the current interests of the time, such as the Satires of Horace give of Rome in the Augustan age.
The fresco-paintings, which Gaius Fabius executed in the temple of Health on the Capitol, dedicated in 452, obtained in design and colouring the praise even of connoisseurs trained in Greek art in the Augustan age; and the art-enthusiasts of the empire commended the frescoes of Caere, but with still greater emphasis those of Rome, Lanuvium, and Ardea, as masterpieces of painting.
To Gallus, more than to any other single poet, is due the naturalisation in Latin of the elegiac couplet, which, together with the lyrics of Horace and the Virgilian hexameter, makes up the threefold poetical achievement of the Augustan period, and which, after the Latin lyric had died out with Horace himself, halved the field with the hexameter.
But when a body of Christians make a formal declaration of their views on the Holy Scriptures, others are enabled to judge whether they be correct, and thus may know with whom to hold Christian fellowship. . . . Lutherans acknowledge the Holy Scriptures as the only rule of doctrine and discipline; nevertheless they receive the Augustan Confession because it exhibits the same views they have on the Scriptures, and is a formal declaration of what they believe."
Conspicuous among these, and not far from the Palais Royal, was the famous Hotel de Rambouillet. The Salon Bleu has become historic. This "sanctuary of the Temple of Athene," as it was called in the stilted language of the day, has been illuminated for us by the rank, beauty, and talent of the Augustan age of France.
But they found in her very soil and atmosphere a spiritual something which enabled them to produce a splendor of literary creation that perhaps had had no parallel in Europe since Periclean days: Yes, surely Ireland was much more creative than Augustan Rome. Have any of you heard of literary savages?
The historical work likewise written in Greek, ascribed to Lucius Cincius Alimentus a contemporary of Fabius, seems spurious and a compilation of the Augustan age. II. IX. Roman Early History of Rome III. XIV. Knowledge of Languages
'Thomas, the eighth Earl, was contemporary with those illustrious characters, Sunderland, Harley, and Mead, during the Augustan age of Britain'; he added a large number of classics and early printed books to the library at Wilton, and his successor Earl Henry still further improved it by adding the best works on architecture, on biographies, and books of numismatics; 'the Earl of Pembroke is stored with antiquities relating to medals and lives.
Of course, poetry written to order, or upon imperial suggestion, is not likely to be of the highest creative kind. But the high creative forces were not flowing in that age; and we need not blame Augustan patronage for the limitations of Augustan literature.
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