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Every house became in its turn a fortress, every window a porthole. During these days of horror there assembled in the evening at the dwelling of Friedrich Bodenstedt a circle of friends, who sought in conversation on literary topics some relief after the agitating experiences of the day. "Bodenstedt," exclaimed Auerbach on one of these occasions, "tell us of your adventures in the East.
Auerbach has written a charming story with Clara Van den Ende and Spinoza as a central theme. In the tale is pictured with skilful psychology the awakening of the sleeping soul of Spinoza as he was introduced from a cheerless home, devoid of art and freedom, into the beauties of undraped Greece and the fine atmosphere of a forum where nothing human was considered alien.
Gade had written the music to my drama of Agnete and the Merman, compositions which were very successful. Auerbach, whom I again found here, introduced me to many agreeable circles. I met with the composer Kalliwoda, and with K hne, whose charming little son immediately won my heart. On my arrival at Dresden I instantly hastened to my motherly friend, the Baroness von Decken.
If we are so easily deceived in these matters, is it strange that in peculiar states of mind or body, we are so completely imposed on in others? At p. 353 we have the story on which Goethe has founded a singular exploit of Mephistopheles in the cellar of Auerbach. "John Faust Cudlington, a German, was requested, in a company of gay people, to perform in their presence some tricks of his trade.
Now we see that music, just like the other studies, is useful and gives us the power to do something. And besides its use and power it is, perhaps more than any other study, the greatest means of giving happiness to others. But of that there is yet a word to be said. That shall be our next Talk. "Music washes away from the soul the dust of everyday life." Berthold Auerbach.
First and foremost among these are the gnomes, who guard the subterranean treasures, but who on occasion reveal them to mortals. We meet with these very frequently under different guises, as, for instance, in the case of the Cooper of Auerbach, and the Yellow Dwarf who appears in the legend of Elfeld.
But it is surely an open question whether, sensitive and modest as he was, and prone to despondency and diffidence, he would have done so much for the literature of his country without the enthusiastic encouragement of various great foreign novelists, who were his friends and admirers: George Sand, Gustave Flaubert, in France; Auerbach, in Germany; W. D. Howells, in America; George Eliot, in England.
Troublesome Daughters. By L.B. Walford. Brigitta. By Berthold Auerbach.
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