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The colour scheme was such as would naturally be dictated by the general mood of artificiality in an age when dreams were lived and the ruling classes obsessed by a passion for amusements, invented to divert the mind from actualities.

"But Sybil, think of Mm. What did he ever care for you! He has made you free already." "He is still my husband." "Take this latest escapade with this Miss Dunlap." "Well, what do I really know about that?" "You saw him." "Yes, but maybe it was as he said." The door was flung open, interrupting Constance's reading, and Sybil Brainard entered. The artificiality of the beauty parlor was all gone.

To flounder helplessly in a mire of artificiality and deception to Tales of Hoffmann! If I were asked what was the object of our going to such a dinner I could only answer that it was in order to be invited to others of the same kind. Is it for this we labor and worry that we scheme and conspire that we debase ourselves and lose our self-respect? Is there no wine good enough for my host?

Here we have to deal with a pessimism which tends naturally not towards the oldest elements of the cosmos, but towards the last and most fantastic fripperies of artificial life. Byronism tended towards the desert; the new pessimism towards the restaurant. Byronism was a revolt against artificiality; the new pessimism is a revolt in its favour.

"I am afraid you do not greatly admire this Miss Spencer?" "Oh, but I do; truly I do. You must not think me ungrateful. No one has ever helped me more, and beneath this mask of artificiality she is really a noble-hearted woman. I do not understand the necessity for people to lead false lives. Is it this way in all society Eastern society, I mean?

Her faults were those of society, her virtues were her own. She had lived too long in an atmosphere of artificiality not to have lost much of the fine American womanliness that was her birthright. That could be cured he alone knew how. The puzzling query, for a little while, was the identity of the cruel, calculating, ruthless enemy who struck by her hand.

To the boy, walking slowly up and down, with eager eyes that sought the one face among the many, the scene came as a joyous revelation that called inevitably to his youth and his vitality. He made no pretence of analyzing his sensations: he was stirred, intoxicated by the movement, the lights, the naturalness and artificiality that walked hand-in-hand in so strange a fellowship.

A point which is possibly worth notice is the introduction of that affected talk on the technicalities of sheepcraft which adds so greatly to the already intolerable artificiality of the later pastoral drama, but which is happily absent from the work of Tasso and Guarini. We have now reached the end of our survey of the Italian pastoral drama.

We have now studied the sense of beauty in what seem to be its fundamental manifestations, and in some of the more striking complications which it undergoes. In surveying so broad a field we stand in need of some classification and subdivision; and we have chosen the familiar one of matter, form, and expression, as least likely to lead us into needless artificiality.

Its influence has been felt, and is today more powerful than ever. Hence the trend of the best thought of the profession is away from the ideas of the local-effort school, away from rigidity and artificiality, and more in the direction of naturalness and common sense.