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I understand Burmese girls of almost all families keep stalls at the bazaars when they "come out," which accounts for the Burmese women's great intelligence in business affairs. Then to the Arrakan Pagoda, and felt inclined to stay all day listening to the sonorous recitations of the kneeling people.
I intended to paint at the Arrakan Pagoda to-day, but a pleasant looking man came on board with a chitsaya harp; I had to try and make a jotting of him. G. and Captain Turndrup brought him. He sat and played tunes for hours epic tunes, which I'd have given anything to remember. His boat-shaped harp of thirteen strings was tuned in minor thirds, so you could readily pick out Celtic tunes on it.
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