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If from its writers proceeded works which had impressed people a volume like the Christian Year, poems original in their force and their tenderness, like some of those in the Lyra Apostolica, sermons which arrested the hearers by their keenness and pathetic undertone the force of all this was not the result of literary ambition and effort, but the reflexion, unconscious, unsought, of thought and feeling that could not otherwise express itself, and that was thrown into moulds shaped by habitual refinement and cultivated taste.
If it is necessary to refer to a work, not simply my own, but of the Tractarian school, which contains a similar protest, I should name the Lyra Apostolica.
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