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He then clapped his hands, and immediately that noisy clattering child-like band struck up, and over a hundred little fellows, who had got off their horses and out of the carriages, danced as the avant-courier had done, sometimes on their heads, sometimes on their feet, in the prettiest possible trochees, spondees, iambics, pyrrhics, anapaests, tribrachs, bacchi, antibacchi, choriambs, and dactyls, so that it was a joy to behold them.

Hieronymus, a Peripatetic of the highest character, out of all the numerous compositions of Isocrates, picked out about thirty verses, chiefly iambics, but some also anapaests. And what can be worse?

It has also been proposed to make the third foot a spondee or an iambus, and the remaining feet anapaests, thus: 'Full-sailed | wide-winged | poised soft- | ly forev- | er asway. "The confusion of these ideas is enough to mark them as unscientific and worthless, to say nothing of the severe reflection they cast on the poet's workmanship. We have not so known Mr.

The Prologue is all that precedes the Parode of the chorus; an Episode all that comes in between two whole choral songs; the Exode all that follows after the last choral song. In the choral portion the Parode is the whole first statement of the chorus; a Stasimon, a song of the chorus without anapaests or trochees; a Commas, a lamentation sung by chorus and actor in concert.

The Episode is that entire part of a tragedy which is between complete choric songs. The Exode is that entire part of a tragedy which has no choric song after it. Of the Choric part the Parode is the first undivided utterance of the Chorus: the Stasimon is a Choric ode without anapaests or trochaic tetrameters: the Commos is a joint lamentation of Chorus and actors.

Swinburne's anapaests are far too delicate for swagger or strut; but for all their dance, all their spring, all their flight, all their flutter, we are compelled to perceive that, as it were, they perform. I love to see English poetry move to many measures, to many numbers, but chiefly with the simple iambic and the simple trochaic foot.

For they were chanting his dirge in anapaests, with much mopping and mouthing: "Pour forth your laments, your sorrow declare, Let the sounds of grief rise high in the air: For he that is dead had a wit most keen, Was bravest of all that on earth have been.

About the poet's late habits a story is told, which seems authentic. A remarkable and famous contemporary singer was known to his fellow-undergraduates only by this circumstance, that his melodious voice was heard declaiming anapaests all through the ambrosial night. When the voice of the singer was lulled, three sharp taps were heard in the silence.

I treat opera there as Alfieri conceived tragedy. Clelia is modern style. Cast the die for Camillus, and let's take horse. Only, we lose the love-business exactly where I show my strength. Clelia in the camp of the king: dactyllic chorus- accompaniment, while she, in heavy voluptuous anapaests, confesses her love for the enemy of her country.

If "conquered Greece vanquished her rude conqueror by art," the victory was primarily accomplished by elaborating from the unpliant Latin idiom a cultivated and elevated poetical language, so that instead of the monotonous and hackneyed Saturnian the senarius flowed and the hexameter rushed, and the mighty tetrameters, the jubilant anapaests, and the artfully intermingled lyrical rhythms fell on the Latin ear in the mother-tongue.