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This principle has given rise to the love tales of the Middle Ages; the Amadises, the Lancelots, the Tristans of ballad literature, whose constancy may justly be called fabulous, are allegories of the national mythology which our imitation of Greek literature nipped in the bud.
Don Quixote listened with the greatest attention to the canon's words, and when he found he had finished, after regarding him for some time, he replied to him: "It appears to me, gentle sir, that your worship's discourse is intended to persuade me that there never were any knights-errant in the world, and that all the books of chivalry are false, lying, mischievous and useless to the State, and that I have done wrong in reading them, and worse in believing them, and still worse in imitating them, when I undertook to follow the arduous calling of knight-errantry which they set forth; for you deny that there ever were Amadises of Gaul or of Greece, or any other of the knights of whom the books are full."
The advent of the Amadises is the coming of the Kingdom of Nonsense, the sign that the last days of chivalric romance have come; a little more, and the Licentiate Alonzo Perez will take his seat in Don Quixote's library, and Nicholas the Barber light his faggots in the yard.
On hearing this, the Distressed Duenna made as though she would throw herself at Don Quixote's feet, and actually did fall before them and said, as she strove to embrace them, "Before these feet and legs I cast myself, O unconquered knight, as before, what they are, the foundations and pillars of knight-errantry; these feet I desire to kiss, for upon their steps hangs and depends the sole remedy for my misfortune, O valorous errant, whose veritable achievements leave behind and eclipse the fabulous ones of the Amadises, Esplandians, and Belianises!"
However, granting it is there, that is no reason why I am bound to believe the stories of all those Amadises and of all that multitude of knights they tell us about, nor is it reasonable that a man like your worship, so worthy, and with so many good qualities, and endowed with such a good understanding, should allow himself to be persuaded that such wild crazy things as are written in those absurd books of chivalry are really true."
This principle has given rise to the love tales of the Middle Ages; the Amadises, the Lancelots, the Tristans of ballad literature, whose constancy may justly be called fabulous, are allegories of the national mythology which our imitation of Greek literature nipped in the bud.
We must not judge, as I have said, either by poems of much earlier date, like the Nibelungen and the Carolingian chansons de geste, which merely received a new form in the early Middle Ages; still less from the prose romances of Mélusine, Milles et Amys, Palemon and Arcite, and a host of others which were elaborated only later and under the influence of the quite unfeudal habits of the great cities; and least of all from that strange late southern cycle of the Amadises, from which, odd as it seems, many of our notions of chivalric love have, through our ancestors, through the satirists or burlesque poets of the sixteenth and seventeenth centuries, been inherited.
On hearing this, the Distressed Duenna made as though she would throw herself at Don Quixote's feet, and actually did fall before them and said, as she strove to embrace them, "Before these feet and legs I cast myself, O unconquered knight, as before, what they are, the foundations and pillars of knight-errantry; these feet I desire to kiss, for upon their steps hangs and depends the sole remedy for my misfortune, O valorous errant, whose veritable achievements leave behind and eclipse the fabulous ones of the Amadises, Esplandians, and Belianises!"
This is not the way that Romeo speaks to Juliet, nor even that the princesses in the cyclical romances and in the Amadises are wooed by their bridegrooms. This is not the language of a lover who is broaching his love, and who hopes, however timidly, to consummate it before all the world by marriage.
How can there be any human understanding that can persuade itself there ever was all that infinity of Amadises in the world, or all that multitude of famous knights, all those emperors of Trebizond, all those Felixmartes of Hircania, all those palfreys, and damsels-errant, and serpents, and monsters, and giants, and marvellous adventures, and enchantments of every kind, and battles, and prodigious encounters, splendid costumes, love-sick princesses, squires made counts, droll dwarfs, love letters, billings and cooings, swashbuckler women, and, in a word, all that nonsense the books of chivalry contain?
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