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He was furious; this fury did not last long, however; a month after, that is to say, on the 16th of July, the Pope made him cardinal with Dion Alexander Alboni, nephew of the deceased Pope, and brother of the Cardinal Camarlingue.
A few evenings before the occasion of which I speak he had invited several ladies and gentlemen to the opera to listen to Madame Alboni a party which included Miss Dora Finch.
Although her facility and taste in ornamentation were of the highest order, Alboni had so much reverence for the intentions of the composer, that she would rarely add anything to the music which she interpreted, and even in the operas of Rossini, where most singers take such extraordinary liberties with the score, it was Alboni's pride neither to add nor omit a note.
The director demurred to the salary. Ashmead said he was mad: she was the German Alboni; her low notes like a trumpet, and the compass of a mezzo-soprano besides. The director yielded, and drew up the engagement in duplicate. Ashmead then borrowed the music and came back to the inn triumphant. He waved the agreement over his head, then submitted it to her.
Alboni gazed upon each familiar object, surrounding his beautiful villa, he was greatly surprised to find everything in the same state of preservation as when he had last beheld his home, once so dear; instead of an air of desolation, everything falling to decay, as would be a natural consequence attendant upon the long absence of the family, the scrupulous care and attention of some interested one, was apparent on all sides.
I had a share in the Guards' omnibus box at Covent Garden, with the privilege attached of going behind the scenes. Ah! that was a real pleasure. To listen night after night to Grisi and Mario, Alboni and Lablache, Viardot and Ronconi, Persiani and Tamburini, and Jenny Lind too, though she was at the other house.
What amplitude and mastery of voice she exhibits in the 'Brindisi'; what incomparable clearness and accuracy in the air from 'L'ltaliana' and the duo from 'Il Barbiere! There is no instrument capable of rendering with more certain and more faultless intonation the groups of rapid notes which Rossini wrote, and which Alboni sings with the same facility and same celerity.
We shall not stop now to consider the question, whether American Art is to be benefited by the production of operas in the Italian tongue; it is enough to say, that, until we have native singers capable of rendering a great dramatic work, singers who can give us in English the effects which Grisi, Badiali, Mario, and Alboni produce in their own language, we must be content with the existing state of things, and allow our composers to write for those artists who can do justice to their conceptions.
We who have passed middle age, who have heard Lablache, and Tamberlik, and Jenny Lind, and Viardot Garcia, and Alboni, and Giuglini in their prime, and Grisi, Mario, Sontag and Persiani with voices but a little the worse for wear, can sadly contrast the vocal glories of the past with those of the present. Who are the great singers of to-day? Two or three prime donne and as many baritones.
When she returned to London in 1849, Jenny Lind had retired from the stage where she had so thoroughly bewitched the public, and Mlle. Alboni became the leading attraction of Her Majesty's Theatre, thus arraying herself against the opera organization with which she had been previously identified. Among the other members of the company were Lablache and Ronconi. Mlle.
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