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A circumstance that has also contributed to the absence or to the failure of aesthetic speculation is the subjectivity of the phenomenon with which it deals. Man has a prejudice against himself: anything which is a product of his mind seems to him to be unreal or comparatively insignificant. We are satisfied only when we fancy ourselves surrounded by objects and laws independent of our nature.

It results, therefore, from all that which precedes, that the moral judgment and the aesthetic, far from mutually corroborating each other, impede and hinder each other, because they impress on the soul two directions entirely opposite.

The offices and the servants' bedrooms were in the wing on the road. There was but little furniture in the house. Mr. Graves had had a preference for large bare rooms; and such furniture as there was, was all for use and not for ornament, so that there was a refreshing lack of any aesthetic pose about it.

"You ought to eat," replied Gabriella, briskly. "When one gets run down, one never looks at life fairly." True to her fundamental common sense, she had never underestimated the importance of food as a prop for philosophy. "I'd never eat if I could help it," rejoined Miss Danton, with the abhorrence of the aesthetic temperament for material details.

Though the conception is not found extensively in other types of verse, one finds an admirer apostrophizing Wordsworth, But the old, inescapable contradiction in aesthetic philosophy crops up here. The poet is concerned only with ideal beauty, yet the way to it, for him, must be through sensuous beauty.

The most gifted of the purely aesthetic critics who have approached the Italian Renaissance, Walter Pater, actually built round this Concert his exquisite study on the School of Giorgione.

During his times of stress long ago they had often seemed to Sang Huin as so aesthetic that one could wish to slip within them for an hour or a bit of the day; and surely after having done it one might instantaneously wish for the freedom of whatever was beyond the fence. Maybe, he had thought to himself, something like this was how Yang Lin felt.

The truth is that Davidson, brought up on the older classical traditions, never outgrew those habits of judging the world by purely aesthetic criteria which men fed on the sciences of nature are so willing to abandon. Even if a philosophy were true, he could easily fail to relish it unless it showed a certain formal nobility and dogmatic pretension to finality.

I know well that the aesthetic temptation is the French temptation; I have often bewailed it, and yet, if I desired anything, it would be to be a writer, a great writer.

The idea of peasants telling their beads is more beautiful than the idea of a ruthless destroyer only in so far as it is morally higher; and this distinction, therefore, has reference to the theme and not to the subject. How far, however, moral and aesthetic excellence are coincident is a question for which we are not yet ready.