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She watched the first act with a somewhat supercilious manner, but the second act found her wiping her eyes very cautiously; there was that unvarying colour to think of. The third act found her well back in the shadow of the box curtain, and the last act she watched with a face of such fixed determination as to attract the wondering comment of several of the actors.

A film called "For the Empire" was made by a number of well known motion picture actors and actresses who gave their services free of charge. It was a moving and graphic story of the war showing how a certain English lad volunteers at the outset and goes to the front. You get a vivid picture of life in the trenches shown in actual war scenes.

Even in real subjects, for which the actors are borrowed from history, it is not the reality of the simple possibility of the fact, but that which is guaranteed to us by its very reality which constitutes the poetic element.

It is good for him who would arrive at all the improvement of which our nature is capable, at one time to take his place among the literal beholders of the drama, and at another to go behind the scenes, and remark the deceptions in their original elements, and the actors in their proper and natural costume. See above, Essay XXII. See above, Essay XII.

Here we saw "The Cardinall," a tragedy I had never seen before, nor is there any great matter in it. The company that came in with me into the box, were all Frenchmen that could speak no English, but Lord! what sport they made to ask a pretty lady that they got among them that understood both French and English to make her tell them what the actors said.

Principally, so much in the majority as to characterize it, men of affairs, country merchants, out-of-town visitors, with and without their womenkind, the New York audience to whom actor and clergyman alike make their appeal; while circling about in it, embroidered so to speak on its surface, is that other crowd high fashion, artists, actors, distinguished visitors, wardmen, Bohemians, sporting people, thieves and confidence men which also produces its effect, and lends its coloring and vivacity to the picture.

Carley went to dinner with friends and later to a roof garden. The color and light, the gayety and music, the news of acquaintances, the humor of the actors all, in fact, except the unaccustomed heat and noise, were most welcome and diverting. That night she slept the sleep of weariness.

Auditors, actors, and author seemed in singularly harmonious relation. As the curtain fell cries of approval mingled with the hand-clapping. The novelist reached a kindly hand. "You've found your public, my dear fellow. These people are here after an intelligent study of your other plays. This is a gallant beginning. Don't you think so, Brown?"

From 1566-1576 the comédiens of the Hôtel de Bourgogne continued their performances, which at length became so gross that complaints were made of the blasphèmes et impudicités enacted there, and that not a farce was played that was not orde, sale et vilaine. Repeated ordinances were levelled at the actors, aiming at the purification of the stage and preventing words of double entente.

Yet, all the same, that simplicity seems to disqualify them from playing Hamlet. Few Shakespearian actors seem to remember what they are playing Shakespeare. One would think that to be held a worthy interpreter of so great a dramatist, so mysterious a mind, and so golden a poet, were enough distinction. Oscar Wilde, in a fine sonnet, addressed Henry Irving as