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The contrast, for example, between him and Carel Vosmaer, though they belong to the same period, is very striking, for while the poetry of Genestet is full of feeling and ideality, that of Vosmaer is unemotional; and though he dresses his thoughts in beautiful words, the impression left upon the mind after reading his poetry is that which might be left after looking at a gracefully modelled piece of marble it is fine as art, but cold and dead, and so awakens no responsive sympathy in the mind of the beholder.

In this church was shown a curious little picture, representing the devil setting fire to the tower, which was destroyed in 1638, but was later rebuilt after the original plans. The interior had no dignity of style whatever. There were, however, some figures of the saints Peter and Paul attributed to Carel Van Yper, which merited the examination of connoisseurs.

While he was thus occupied in preparations for his next encounter with the tribunal, the door opened, and three gentlemen entered. Two were the prosecuting officers of the government, Fiscal Sylla and Fiscal van Leeuwen. The other was the provost-marshal, Carel de Nijs. The servant was directed to leave the room.

While he was thus occupied in preparations for his next encounter with the tribunal, the door opened, and three gentlemen entered. Two were the prosecuting officers of the government, Fiscal Sylla and Fiscal van Leeuwen. The other was the provost-marshal, Carel de Nijs. The servant was directed to leave the room.

While he was thus occupied in preparations for his next encounter with the tribunal, the door opened, and three gentlemen entered. Two were the prosecuting officers of the government, Fiscal Sylla and Fiscal van Leeuwen. The other was the provost-marshal, Carel de Nijs. The servant was directed to leave the room.

Near it is a landscape, by Carel Dujardin, I believe, conceived in quite a different mood, but exquisitely poetical too. A horseman is riding up a hill, and giving money to a blowsy beggar-wench. O matutini rores auraeque salubres! in what a wonderful way has the artist managed to create you out of a few bladders of paint and pots of varnish.

Jean, with an octagonal tower, which enshrined some pictures attributed to the prolific Carel Van Yper, comment upon which would be perhaps out of place here. On the corner of this street was a most charming old façade in process of demolishment, which we deplored. Now we reached the Porte de Lille again and the remains of the old walls of the town.

Besides the president, Carel, the court was composed of seven judges, of whom three were military; the imperial and special Procurer-General, Chopais-Marivaux, occupied the bench. From the beginning it was evident that orders had been given to suppress everything that could give political colour to the affair.

While he was thus occupied in preparations for his next encounter with the tribunal, the door opened, and three gentlemen entered. Two were the prosecuting officers of the government, Fiscal Sylla and Fiscal van Leeuwen. The other was the provost-marshal, Carel de Nijs. The servant was directed to leave the room.

During the fifteen sittings of the court a restless crowd filled the hall, the courts of the Palais, and the narrow streets leading to it. At eight o'clock in the morning of December 30th, the president, Carel, declared the trial closed, and the court retired to "form its opinions." Not till three o'clock did the bell announce the return of the magistrates. The verdict was immediately pronounced.