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In 1627 he published his Corona Trágica, a long religious epic written on the history of the life and fate of Mary, Queen of Scots.
Et quia intellectus divinus est altissimus, per unam simplicem essentiam suam onmia cognoscit: nec est ibi aliqua pluralitas formarum idealium, nisi secundum diversos respectus divinæ essentiæ ad res cognitas; sed in intellectu creato multiplicatur secundum rem quod est unum secundum rem in mente divina, ut non possit omnia per unum cognoscere: ita tamen quod quanto intellectus creatus est altior, tanto pauciores habet formas ad plura cognoscenda efficaces.
Literary comparisons have been made occasionally and modern forms or equivalents for archaic words and expressions have been given, but usually these have been limited to words not found in the better class of dictionaries commonly used in the study of such works. The editor is especially indebted to Sr.
Ibi effictum cælum relucebat et infernus horrendus conspiciebatur, variæque historiæ, repræsentabantur, quæ nom multo minus quator horis durarunt. Operæ credo pretium erit, si spectacula quædan in honorem regis Philipi Perpigniani edita narravero. Quæ prefecto magnificenciam Barcinonum superarunt.
«No tiene escape. Denme ustedes un aire puro, y yo les daré una sangre rica; denme una sangre rica, y yo les daré los humores bien equilibrados; denme los humores bien equilibrados, y yo les daré una salud de bronce; denme, finalmente, una salud de bronce, y yo les daré el espíritu honrado, los pensamientos nobles y las costumbres ejemplares. In corpore sano, mens sana.
They are the beatification, in 1620, of San Isidro and his canonization, two years later, with their accompanying poet "jousts," at both of which Lope presided and assumed a leading rôle.
Documento sunt vel scenici actores, qui optimis poætarum tantum adjiciunt gratiæ, ut nos infinite magis eadem illa audita quam lecta delectent: et vilissimis etiam quibusdam impetrent aures, ut quibus nullus est in Bibliothecis locus, sit etiam frequens in theatris. Jovellanos, Memoria sobre las diversiones públicas. Madrid, 1812, pág. 57.
And Alexandre Hardy, the French playwright and contemporary of Lope de Vega, who borrowed largely from the latter both in method and detail, so styled many of his works.
Las torres soltaron el último repique; el órgano desató sus raudales de místicas harmonías, y a sus acordes solemnes se unió festivo coro de infantiles voces, de gorjeadores pitos, de ruidosas y tintinantes panderetas. La misa principiaba.... El P. Solís entonaba con su vocecilla devota y simpática: «¡Gloria in excelsis Deo!» De mi casa al despacho de Castro Pérez.
In tempore autem multa sunt, quae afferant auctoritatem: ingenium, opes, aetas, fortuna, ars, usus, necessitas, concursio etiam nonnumquam rerum fortuitarum. Nam & ingeniosos, & opulentos, & aetatis spatio probatos dignos, quibus credatur, putant: non rectè fortasse, sed vulgi opinio mutari vix potest, ad eamque omnia dirigunt, & qui judicant, & qui existimant. Cic.
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