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"One thing above all things one thing!" cried the girl. "That architecture is the sublimest of the arts! This temple is to me like some grand epode, and the poet who composed it conceived it not in feeble words but formed it out of almost immovable masses.
You set them in too fair a light. In the Epode, or closing portion of the tragedy, the following "Lament" may be considered as expressing the feelings with which the Persians bewailed this defeat, with reference to its effects upon Persian authority over the Asiatic nations: With sacred awe The Persian law No more shall Asia's realm revere: To their lord's hand, At his command, No more the exacted tribute bear.
"One thing above all things one thing!" cried the girl. "That architecture is the sublimest of the arts! This temple is to me like some grand epode, and the poet who composed it conceived it not in feeble words but formed it out of almost immovable masses.
"The iambus is not much in vogue among the Romans as a separate form of poetry; it is more often interspersed with other rhythms. Its bitterness is found in Catullus, Bibaculus, and Horace, though in the last the epode breaks its monotony.
Culex 148-58 with Epode 26-28; Culex 86-7 with Epode 21-22; Culex 49-50 with Epode 11-12; etc. A full comparison is made in Classical Philology, 1920, p. 24. The composition of the sixteenth epode by Horace soon after the second, it would seem gave Vergil an opportunity to recognize the new poet, and answer his pessimistic appeal with the cheerful prophecy of the fourth Eclogue, as we have seen.
Its form seems to have been conditioned largely by a strange allegorical poem written just before the peace by a still unknown poet. The poet was Horace, who in the sixteenth epode had candidly expressed the fears of Roman republicans for Rome's capacity to survive.
Finally, when, as we shall see presently, Horace in his second Epode, accords Vergil the honor of imitating a passage of the Culex, Vergil returns the compliment in his Georgics. We have therefore not only Vergil's recognition of Horace's courtesy, but, in his acceptance of it, his acknowledgment of the Culex as his own. Nicolaus Damascenus confirms this. His birthday was Sept. 23, 63.
He accordingly draws in all his moneys on the Calends on the Ides he lends them out again! What Vergil wrote Horace when he received a copy of the Epode, we are not told, but in his next work, the Georgics, he returned the compliment by similarly threading Horace's phrases into a description of country life a passage that is indeed one of the most successful in the book.
Whether Octavian, and his sage adviser Maecenas, acted from the same motive we do not know, though they too had seen in Vergil's epigrams on Antony's creatures, and in Horace's sixteenth epode that the poets of the new generation seemed likely to give effective expression to political sentiments.
Gavin's reinstalment in the chair year after year was made by the disappointed dominie the subject of some tart verses which he called an epode, but Gavin crushed him when they were read before the club. "Satire," he said, "is a legitimate weapon, used with michty effect by Swift, Sammy Butler, and others, and I dount object to being made the subject of creeticism.
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