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This world-song is never for a moment separated from its singer. It is not fashioned from any outward material. It is his joy itself taking never-ending form. It is the great heart sending the tremor of its thrill over the sky. There is a perfection in each individual strain of this music, which is the revelation of completion in the incomplete.

The cotter's wife croons it over her sleeping baby; the lover sings it to his sweetheart; the child runs, carolling it, through the summer fields; finally, some world-honored prima-donna, some Patti or Nilsson, sings it as the final touch of perfection to a great feast of music, and hearts swell and eyes overflow to find that the nursery song of our childhood is a world-song, immortal in freshness and beauty.

To those who have heard it sung by multitudinous voices to the accompaniment of golden harps and silver trumpets it is a thing which can never be forgotten, this world-song that is at once a hymn of union, a song of the deepest love of country, a defiance and an intimation of resistance to the death. The Song of the ‘Iron Chancellor’

I have said that the life-blood of my convictions shall circulate in my money and if I cannot express my soul, my religion, my gospel or news for this world, news about what I want and about what I will have in a world, if I cannot make every dollar, every shilling I earn, go through the world and sing my own little world-song in it, may I never have another shilling or earn another dollar as long as I live!