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He made a portrait of Cardinal Caraffa when he was returning from Germany, which he took secretly by torch-light while the Cardinal was at supper in the Vescovado of Verona; and this was such a faithful likeness that it could not have been improved.

The bells were rung and the shops closed during three whole days, and the child was baptized with great pomp in the Chapel of the Vescovado, close to the Duomo. The infant received the name of Alfonso, after his grandfather, the great King of Naples, and a "beautiful fête," to quote one chronicler's words, "was held in honour of the auspicious event in the Sala Grande of the Schifanoia Villa."

There, in the principal chapel of the Vescovado, he painted a story of S. Martin, and in the Duomo Vecchio, now in ruins, a number of pictures, among which was the portrait of Pope Innocent VI, in the principal chapel.

Thereupon the Wardens of Works for the Vescovado gave the commission for three windows in the principal chapel, each twenty braccia in height, to Stagio, the son of the said Fabiano, and to the painter Domenico Pecori; but when these were finished and fixed in their places, they gave no great satisfaction to the Aretines, although they were passing good and rather worthy of praise than otherwise.

But this was afterwards removed from that chapel by order of Monsignor Messer Giovan Matteo Giberti, Bishop of Verona, and placed in the Palace of the Vescovado, which is the residence of the Bishops, in that chapel wherein they hear Mass every morning.

After this work, then, Berna painted a great Crucifix in a chapel of the Vescovado of Arezzo for Messer Guccio di Vanni Tarlati da Pietramala, and at the foot of the Cross a Madonna, S. John the Evangelist, and S. Francis, in most sorrowful attitudes, together with a S. Michelagnolo, with so much diligence that it merits no small praise, and above all by reason of having been so well preserved that it appears made only yesterday.

Giusto, likewise a painter of Padua, painted in the Chapel of S. Giovanni Battista, without the Church of the Vescovado, not only certain scenes from the Old Testament and the New, but also the Revelations of the Apocalypse of S. John the Evangelist; and in the upper part he made a Paradise containing many choirs of angels and other adornments, wrought with beautiful conceptions.

Having been carried from that place to Urbino, he was buried with honour in the Vescovado, in front of the Chapel of S. Martino formerly painted by him; and his death caused extraordinary sorrow to his relatives and to all the citizens. Girolamo was always an excellent man, insomuch that nothing was ever heard of any bad action committed by him.

In the tramezzo of the Church of S. Giustino he painted in fresco a S. Martin on horseback, who is cutting off a piece of his garment to give it to a beggar, and two other saints. In the Vescovado, also, on the face of one wall, he painted an Annunciation, which to-day is half spoilt through having been exposed for many years.

See the buildings of those times, and the pilasters, the columns, the bases, the capitals, and all the cornices, with their ill-formed members, such as there are in Florence, in S. Maria del Fiore, in the external incrustations of S. Giovanni, and in S. Miniato sul Monte; in the Vescovado of Fiesole, in the Duomo of Milan, in S. Vitale at Ravenna, in S. Maria Maggiore at Rome, and in the Duomo Vecchio without Arezzo; wherein, excepting that little of the good which survived in the ancient fragments, there is nothing that has good order or form.