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M. Octave Uzanne, though he had not himself visited Dux, had indeed procured copies of some of the manuscripts, a few of which were published by him in Le Livre, in 1887 and 1889. But with the death of Le Livre in 1889 the 'Casanova inedit' came to an end, and has never, so far as I know, been continued elsewhere.

M. Octave Uzanne, though he had not himself visited Dux, had indeed procured copies of some of the manuscripts, a few of which were published by him in Le Livre, in 1887 and 1889. But with the death of Le Livre in 1889 the 'Casanova inedit' came to an end, and has never, so far as I know, been continued elsewhere.

M. Uzanne, indeed, has contended that no female bibliophile ever felt the passion that inspired a Grolier or a De Thou: that Marie Antoinette herself may have caged thousands of books at the Trianon like birds in an aviary, without any real regard to their nature or the right way of using them; that these devotees of the book-chase were like an invalid master of hounds, keeping the pack in a gilded kennel without any exercise or any chance of practical work.

We cannot name or classify the bibliophiles of the eighteenth century. It would be endless to describe them with the briefest of personal notes; how M. Barré loved out-of-the-way books and fugitive pieces, or Lambert de Thorigny a good history, or how Gabriel de Sartines, the policeman of the Parc aux Cerfs, had a marvellous collection about Paris. When Count Macarthy sold his books at Toulouse his catalogue contained a list of about ninety others, issued in the same century, from which his riches were derived. We can point to a few of the mightiest Nimrods. We see the serene Gaignat pass, and the bustling La Vallière; the Duc d'Estrées is recognised as a busy book-hunter, and there are the physicians Hyacinthe Baron and Falconnet whose keenness no prey could escape. We can distinguish the forms of the elegant 'bibliomanes' to whom their books were as pictures or as jewels to be enclosed in a shrine; there is Count d'Hoym with a house full of treasures, and Boisset and Girardot de Préfond with their cabinets of marvels. If the crowds in the old-fashioned libraries are like the multitude at Babel, these tall volumes in crushed morocco and 'triple gold bands' remind us of what our antiquaries have said of books glimmering in their wire cases 'like eastern beauties peering through their jalousies. We ought to say something of M. de Chamillard, best known in his public capacity as a good match for the King at billiards and as the minister who proposed the revocation of the Edict of Nantes. In private life Michael de Chamillard was a virtuoso with well-filled galleries and portfolios; and he had assembled a large company of books of fashionable appearance. But our real interest is not so much with the Minister of Billiards, as M. Uzanne described him, but rather with his wife and three daughters, who were all true female bibliophiles. The eldest daughter, the Marquise de Dreux, was wife of the Grand Master of the Ceremonies; but though his collection was gay and polite the Marquise insisted on a separate establishment for the books that she had discovered and bought and bound. The Duchesse de la Feuillade and the Duchesse de Lorges insisted, like their elder sister, on having libraries for their separate use. The minister's wife was celebrated for the splendour of her books, and marvellous prices have been paid for specimens of her earlier style. But 'little Madame de Chamillard' attached herself in all things to the Maintenon, and followed the uncrowned queen in abandoning the paths of vanity; she gave up the world, so far as gilt arabesques and crushed morocco were concerned, and dressed all her later acquisitions

The triumphant chorus of Rops's admirers comprises the most critical names in France and Italy: Barbey d'Aurevilly, J.K. Huysmans, Pradelle, Joséphin Péladan once the Sâr of Babylonian fame Eugène Demolder, Emile Verhaeren, the Belgian poet; Camille Lemonnier, Champsaur, Arsène Alexandre, Fromentin, Vittorio Pica, De Hérédia, Mallarmé, Octave Uzanne, Octave Mirbeau, the biographer Ramiro and Charles Baudelaire.

In all the lists of these 'ladies of old-time' by M. Guigard, by M. Quentin-Bauchart, or by M. Uzanne, it is difficult to find one who preferred the inside to the outside of the book.