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Either we have been indulging in an expensive mistake, or a great foreign novelist who preaches the gospel of despair is locoed. This word, which may be new to most of our readers, has long been current in the Far West, and is likely to be adopted into the language, and become as indispensable as the typic words taboo and tabooed, which Herman Melville gave us some forty years ago.
Ash and Elm in the Edda were the Adam and Eve of the human race. There were no intelligent men on earth "Spirit they possessed not, sense they had not, blood nor motive powers, nor goodly color. London: Trubner & Co. 1866. It is certain, however, that the ash was the typic tree of all life, since the next verse of the Voluspa is devoted to Yggdrasil, the tree of existence, or of the world itself.
But touch'd by the national test, or tried by the standards of democratic personality, they wither to ashes. I say I have not seen a single writer, artist, lecturer, or what-not, that has confronted the voiceless but ever erect and active, pervading, underlying will and typic aspiration of the land, in a spirit kindred to itself. Do you call those genteel little creatures American poets?
Either we have been indulging in an expensive mistake, or a great foreign novelist who preaches the gospel of despair is locoed. This word, which may be new to most of our readers, has long been current in the Far West, and is likely to be adopted into the language, and become as indispensable as the typic words taboo and tabooed, which Herman Melville gave us some forty years ago.
It leads, for instance, to the fastidious exclusion of particulars, whether in phrases, objects, or traits of character, and substitutes for them the general, the vague, the typic. Systematic arrangement orders the whole structure and composition from the period to the paragraph, from the paragraph to the structural series of paragraphs; it dictates the style as it has fixed the syntax.
Victor Hugo has given to this typic historical struggle of '93 the qualities of nobleness and beauty which art requires in dealing with real themes. Lantenac falls into the hands of the Blues, headed by Cimourdain and Gauvain, but he does so in consequence of yielding to a heroic and self-devoting impulse of humanity. Cimourdain, true to his temperament, insists on his instant execution.
Either we have been indulging in an expensive mistake, or a great foreign novelist who preaches the gospel of despair is locoed. This word, which may be new to most of our readers, has long been current in the Far West, and is likely to be adopted into the language, and become as indispensable as the typic words taboo and tabooed, which Herman Melville gave us some forty years ago.
Robespierre had the typic sacerdotal temperament, its sense of personal importance, its thin unction, its private leanings to the stake and the cord; and he had one of those deplorable natures that seem as if they had never in their lives known the careless joys of a springtime. By and by, from mere priest he developed into the deadlier carnivore, the Inquisitor.
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