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At nineteen years of age Lorraine Hunter, daughter of old Brit Hunter of the TJ up-and-down, became a real "range-bred girl" with a real Stetson hat of her own, a green corduroy riding skirt, gray flannel shirt, brilliant neckerchief, boots and spurs. A third picture gave her further practice in riding a real horse, albeit an extremely docile animal called Mouse with good reason.

But really TJ was not the cause of her creativity. It was just a reminder of her own defiance of stale, patterned existence a defiance that expected and demanded novelty in Tijuana's warm sun and cool, piercing shadows. But it was more than the connection of land, artist, and paint. Here, within, was a tame volcanic oozing, frothy as waves, reshaping her clay landscape apposite to her liking.

"My brand is the TJ up-and-down. We never call it just the TJ." "Oh," said Lorraine, relieved. "They weren't talking about you, then. But dad it's horrible! We simply can't let that murder go and not do anything. Because I know that man was shot. I heard the shot fired, and I saw him start to fall off his horse. And the next flash of lightning I saw " "Look here, Raine.

I've got to go over and see what kind of a street set they're knocking together, anyway. "Hello! I have sure-enough crying need for all you strays," he exclaimed five minutes later, when they came upon the Flying TJ boys standing disconsolately at the head of the street "set" upon which carpenters were hammering and sawing and painters were daubing.

To wake up each morning anew in being exhilarated her: now an artist of a new land; recently a Spanish-babbling pseudo-lesbian consummated once via Hilda if sex were a consummation of anything; immediately upon arriving in TJ she had been a remover of old bourgeois skin and a student of Spanish; and before that, she had been a ripped rag doll in such consternation about the "Kato thing" that "kato thing" tearing out the seams of the fabric enclosing her stuffing in such apposite serendipity.

At nineteen years of age Lorraine Hunter, daughter of old Brit Hunter of the TJ up-and-down, became a real "range-bred girl" with a real Stetson hat of her own, a green corduroy riding skirt, gray flannel shirt, brilliant neckerchief, boots and spurs. A third picture gave her further practice in riding a real horse, albeit an extremely docile animal called Mouse with good reason.

For a mile or more, where the land lay fairly level in a platter-like valley set in the lower hills, the mud that rimmed the pools was scored deep with the tracks of the "TJ up-and-down" cattle, as the double monogram of Hunter and Johnson was called. A hard brand to work, a cattleman would tell you.

The Quirt ranch, was almost surrounded by Sawtooth land of one sort or another, though there was scant grazing in the early spring on the sagebrush wilderness to the south. This needed Quirt Creek for accessible water, and Quirt Creek, save where it ran through cut-bank hills, was fenced within the section and a half of the TJ up-and-down.

So the unadulterated snowy landscape, untouched and untainted by human hands, was lucky to have very few palm trees as deeply rooted in hard clay soil as it was soil arid as desert sand. And peaceful Camp Gabriele in Antarctica turned out to be TJ, a city filled with drug addicts, drug lords and perhaps one or two intoxicated goddesses like herself.

Dad, isn't your brand the TJ? That's what it looks like on Yellowjacket." Brit did not answer, and when Lorraine was sure that he did not mean to do so, she asked another question. "Dad, why didn't you want me to leave the ranch to-day? I was nervous after that man was here, and I did go." "I didn't want you riding around the country unless I knew where you went," Brit said.