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Still, the son of Polybius might in any case claim two in his father's name; and his friend Timon who had also provided him with suitable clothing had gone to procure the tickets from the curia. They were to meet at the entrance leading to their places, and it would be some little time yet before Timon could return.

Sometimes these creatures would go to work in a more direct way, and with gross and palpable artifice, which yet the credulous Timon was too blind to see, would affect to admire and praise something that Timon possessed, a bargain that he had bought, or some late purchase, which was sure to draw from this yielding and soft-hearted lord a gift of the thing commended, for no service in the world done for it but the easy expense of a little cheap and obvious flattery.

The first of these doubtful plays, often called the Pre-Shakespearian Group, are Titus Andronicus and the first part of Henry VI. Shakespeare probably worked with Marlowe in the two last parts of Henry VI and in Richard III. The three plays, Taming of the Shrew, Timon, and Pericles are only partly Shakespeare's work, but the other authors are unknown.

Some that were present laughed at the saying, and some reviled Timon; but there were others upon whom it made a deep impression; so various was the judgment which was made of him, and so irregular his own character. The Athenians, even in the lifetime of Pericles, had already cast a longing eye upon Sicily; but did not attempt any thing till after his death.

Take Dryden's Achitophel and Zimri; every line adds to or modifies the character, which is, as it were, a-building up to the very last verse; whereas in Pope's Timon, &c. the first two or three couplets contain all the pith of the character, and the twenty or thirty lines that follow are so much evidence or proof of overt acts of jealousy, or pride, or whatever it may be that is satirized."

At times he would endeavor to fan the coals of rebellion by reading "King Lear," "Timon of Athens," and the story of Old Aeneas. But the effect was never lasting, and when the artificial stimulation subsided he was more depressed than ever. Such was his mood the day he rushed forth from the unbearable loneliness of his house and encountered the moose.

Not that Timon's wealth all went to enrich these wicked flatterers; he could do noble and praiseworthy actions; and when a servant of his once loved the daughter of a rich Athenian, but could not hope to obtain her by reason that in wealth and rank the maid was so far above him, lord Timon freely bestowed upon his servant three Athenian talents, to make his fortune equal with the dowry which the father of the young maid demanded of him who should be her husband.

It is highly amusing to see the suitors, whom the ruined circumstances of their patron had dispersed, immediately flock to him again when they learn that he has been revisited by fortune. On the other hand, in the speeches of Timon, after he is undeceived, all hostile figures of speech are exhausted, it is a dictionary of eloquent imprecations.

They were a painter and a poet, whom he had patronized in his prosperity. "Hail, worthy Timon!" said the poet. "We heard with astonishment how your friends deserted you. No whip's large enough for their backs!" "We have come," put in the painter, "to offer our services." "You've heard that I have gold," said Timon.

The comedy of Timon, which was chiefly taken from Lucian, and one, if not more, of Boiardo's prose translations from other ancients, were written at the request of Duke Ercole, who was a great lover of dramatic versions of this kind, and built a theatre for their exhibition at an enormous expense.