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The incentive furnished by Mondino's book helped to break the tradition of Galen's unquestioned authority. Besides this, the group of men around Mondino, his master, Taddeo Alderotti, with his disciples and assistants, form the initial chapter in the history of the medical school of Bologna, which gradually assumed the place of Salerno at this time.
On account of these and many other strange ways Taddeo left Giovan Piero, and resolved to live by himself and to have recourse to the workshops of Rome, where he was by that time known, spending a part of the week in doing work for a livelihood, and the rest in drawing, particularly the works by the hand of Raffaello that were in the house of Agostino Chigi and in other places in Rome.
The Wardens of Works of the Madonna of Orvieto, as has been related in the Life of Simone Mosca, had caused some chapels with ornaments of marble and stucco to be built in the aisles of their church, and had also had some altar-pieces executed by Girolamo Mosciano of Brescia; and, having heard the fame of Taddeo by means of friends, they sent a summons to him, and he went to Orvieto, taking with him Federigo.
Ghiberto da Correggio, Battista Pallavicíni, Taddeo Manfredi of Faenza, Gabbriello da Cremona, Francesco da Castiglione, Niccolo Perrotti, together with the Count of Montefeltro, lived in Vittorino's house, associating with the poorer students whom the benevolent philosopher instructed for the love of learning.
1 Quoted by Alvisi, on the authority of a letter of Luigi da Porto, March 16, 1510, in Lettere Storiche. This challenge was never taken up. Amongst other loyal ones was that fine soldier of fortune, Taddeo della Volpe, who, in his Florentine prison, refused all offers to enter the service of the Signory until he had learnt that his lord was gone from Italy.
Then, a proposal being discussed, about the same time that they were working at the Araceli, to give to Signor Federigo Borromeo as a wife the Lady Donna Virginia, the daughter of Duke Guidobaldo of Urbino, Taddeo was sent to take her portrait, which he did excellently well; and before he departed from Urbino he made all the designs for a credence, which that Duke afterwards caused to be made in clay at Castel Durante, for sending to King Philip of Spain.
And there he made a beginning with the work, but he did not carry it any farther, for, the death of the Pope supervening, everything was uncovered for the holding of the Conclave, although many of those scenes had not been finished. Of the scene that Taddeo began in that place, we have the design by his hand, sent to us by him, in the book of drawings that we have so often mentioned.
"For my mouth shall speak truth; and wickedness is an abomination to my lips." Prov. viii. 7. Gozzoli's picture is now in the Louvre. I think Guillaume de Saint Amour takes the place of Averroes. Inf. iv. 144. Averroès et l'Averroïsme, pp. 236-316. In the chapel. They are the work of Taddeo di Bartolo, and bear this inscription: "Specchiatevi in costoro, voi che reggete."
And so, Taddeo making the designs, and both together executing many friezes in fresco in chambers and loggie, they went on assisting one another.
Which hearing, Taddeo perceived that he had been excluded because it had been said to the above-named Cardinal Emulio that he was a person who gave more attention to gain than to glory and working well; and he did his utmost with Cardinal Farnese to obtain a part of that work.
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