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People call me a sorcerer, and so I am in a measure. I know a man directly I see him. Do you remember what you said to me one day on the heath at Valide? You were with Sylvain and I with Marcasse. You told me that an honest man avenges his wrongs himself. And, by-the-bye, Monsieur Mauprat, if you are not satisfied with the apologies I made you at Gazeau Tower, you may say so.

He who talked about 'the cry of innocence' was an idiot, just as the man was who prated about the 'pale stupor' of guilt. Neither crime nor virtue have, unhappily, any especial countenance. The Simon girl, who was accused of having killed her father, absolutely refused to answer any questions for twenty-two days; on the twenty-third, the murderer was caught. As to the Sylvain affair "

Some of them were hidebound by their academic Credo, others by their revolutionary Credo: and, when all was done, they both amounted to the same thing. By way of rousing Christophe, on whom academic art had acted as a soporific, Sylvain Kohn proposed to take him to certain eclectic theaters, the very latest thing.

"But that's not virtue!" cried Christophe. "That's rhetoric!" "In France," said Sylvain Kohn. "Virtue in the theater is always rhetorical." "A pretorium virtue," said Christophe, "and the prize goes to the best talker. I hate lawyers. Have you no poets in France?" Sylvain Kohn took him to the poetic drama. There were poets in France. There were even great poets. But the theater was not for them.

When I saw this trusty fellow I felt equal to braving the sorcerer, and advanced boldly. Sylvain stared at me in admiration, and I noticed that Patience himself was not prepared for such audacity. I pretended to go up to Marcasse and speak to him, as though quite unconcerned about the presence of my enemy.

A nation that was anything like that wouldn't last for twenty years: why, it's decomposing already. There must be something else." "There's nothing better." "There must be something else," insisted Christophe. "Oh, yes," said Sylvain Kohn. "We have fine people, of course, and theaters for them, too. Is that what you want? We can give you that." He took Christophe to the Theatre Francais.

The boy who had been walking behind, flew with the swiftness of the wind; but Sylvain, seized by the great hand of the sorcerer, fell upon his knees, swearing by the Holy Virgin and by Saint Solange, the patroness of Berry, that he was innocent of the death of the bird. I felt, I confess, a strong inclination to let him get out of the scrape as best he could, and make my escape into the thicket.

Frere Sylvain added, turning towards his assistants, 'Above everything, do not allow him to move, even a finger, or you will kill him; and we all left the tent in very low spirits.

I'd rather die first!" It was impossible to stem the torrent of his words. Hecht said icily: "Take it or leave it." Christophe went out and slammed the doors. Hecht shrugged, and said to Sylvain Kohn, who was laughing: "He will come to it like the rest." At heart he valued Christophe. He was clever enough to feel not only the worth of a piece of work, but also the worth of a man.

The impresario bowed frigidly, and said coldly: "I can't do anything. You must see M. Roussin." "What has it got to do with M. Roussin? I don't want to bother him with this business," said Christophe. "That won't bother him," said Sylvain Kohn ironically. And he pointed to Roussin, who had just come in. Christophe went up to him. Roussin was in high good humor, and cried: "What! Finished already?