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He has thrown over the jars with the beetles in them, opened the chest of meal that I feed the birds and insects upon, and rolled about in it; he has thrown my knives, prickers, and forceps, my pins, compasses, and reed pens all out of window; and when I came in he was sitting on the cupboard up there, looking just like a black slave that works night and day in a corn-mill; he had got hold of the roll which contained all my observations on the structure of animals the result of years of study-and was looking at it gravely with his head on one side.

"He has thrown over the jars with the beetles in them, opened the chest of meal that I feed the birds and insects upon, and rolled about in it; he has thrown my knives, prickers, and forceps, my pins, compasses, and reed pens all out of window; and when I came in he was sitting on the cupboard up there, looking just like a black slave that works night and day in a corn-mill; he had got hold of the roll which contained all my observations on the structure of animals the result of years of study-and was looking at it gravely with his head on one side.

He has thrown over the jars with the beetles in them, opened the chest of meal that I feed the birds and insects upon, and rolled about in it; he has thrown my knives, prickers, and forceps, my pins, compasses, and reed pens all out of window; and when I came in he was sitting on the cupboard up there, looking just like a black slave that works night and day in a corn-mill; he had got hold of the roll which contained all my observations on the structure of animals the result of years of study-and was looking at it gravely with his head on one side.

The two featured groups are the remarkable paintings and tapestries of Gustav Adolf Fjaestad in gallery 107-well worthy of long study-and the paintings and prints of Carl Larsson in gallery 101.