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The sensuous man is already determined physically, and thenceforth he has no longer his free determinability; he must necessarily first enter into possession of this lost determinability before he can exchange the passive against an active determination.
Compared with our modern orchestra the poverty of the resources upon which he depended seems almost ludicrous. Even in the vocal part of 'Alceste' he was so careful to avoid anything like the sensuous beauty of the Italian style, that sometimes he fell into the opposite extreme and wrote merely arid rhetoric.
What lay between them, and the worst impulses that poison the lives of women, but differences of degree, of expression? After those wild hours of sensuous revolt, a kind of moral terror was upon her. What had worked in her?
And she was prettier and more fetching than ever with her small dark head, and her lovely mouth. He would like to draw the free sensuous line of it, the beautiful moulding of the chin. What a prize for the young man! Was he aware of his own good fortune? Was he adequate? 'I say, how jolly! said Sarratt, coming up to look.
Precisely because the moral nature of woman is generally on the side of inclination, the effect becomes the same, in that which touches the sensuous expression of this moral state, as if the inclination were on the side of duty. Thus grace would be the expression of feminine virtue, and this expression would often be wanting in manly virtue.
The lovely hues and odours of flowers, the softened glitter of thousands of electric lamps shaded with rose-colour, the bewildering brilliancy of women's clothes and jewels, the exquisite music pouring like a rippling stream through the magnificent reception-rooms, all combined to create a magical effect of sensuous beauty and luxury; and as Innocent, accompanied by the sweet-faced old-fashioned lady who played the part of chaperone with such gentle dignity, approached her hostess, she was a little dazzled and nervous.
No poet except perhaps Young, who in this respect exacts even more than Klopstock, without giving us so much compensation no poet could be less adapted than Klopstock to play the part of favorite author and guide in life, because he never does anything else than lead us out of life, because he never calls to arms anything save spirit, without giving recreation and refreshment to sensuous nature by the calm presence of any object.
For the condition of the objective use of all our conceptions of understanding is the mode of our sensuous intuition, whereby objects are given; and, if we make abstraction of the latter, the former can have no relation to an object. And even if we should suppose a different kind of intuition from our own, still our functions of thought would have no use or signification in respect thereof.
But before passing to the consideration of this more intricate subject, we may note that however subordinate the beauty may be which a garment, a building, or a poem derives from its sensuous material, yet the presence of this sensuous material is indispensable. Form cannot be the form of nothing.
Without this relationship we have no direct means of making the sensuous material of art awaken an answering echo in others. The boy shouting at the top of his voice, making a horrible noise, was not an artist because his expression was inadequate was not related to the underlying sense of harmony that would have given it expressive power. Let us test this definition with some simple cases.
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