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The nasal chambers are divided into two by a vertical partition, as one can readily demonstrate by the use of his fingers, and are still further broken up by certain bones, the scroll-shaped or turbinated bones, so that the nasal chambers are of very limited size, and much divided up by bony outgrowths from their walls. The vertical septum, while bony above, is cartilaginous and flexible below.

Then came iron or steel scroll-shaped fenders, tapering down from a few inches in height at the ends to centres almost level with the ground. To obviate the inconvenience of there being no resting-place for the fireirons loose supports were fitted into sockets at the ends, and these afterwards were cast as part of the scroll.

It is, however, noticeable after careful comparison of the work of Chippendale with that of Ince and Mayhew, that the furniture designed and made by the latter has many more of the characteristic details and ornaments which are generally looked upon as denoting the work of Chippendale; for instance, the fretwork ornaments finished by the carver, and then applied to the plain mahogany, the open-work scroll-shaped backs to encoignures or china shelves, and the carved Chinaman with the pagoda.

The incoming air first enters the nostrils. These consist of two narrow passages lying side by side in the nose, and connecting with the pharynx behind. The lining of the nostrils, called mucous membrane is quite thick, and has its surface much extended by reason of being spread over some thin, scroll-shaped bones that project into the passage.