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In the room itself, Baron Schenkelderff sat with crossed legs and head thrown back, in an attitude which he did not see fit to alter at the young man's approach. Garnett hesitated; but it was not the summariness of the Baron's greeting which he resented. "You've found him?" Mrs. Newell exclaimed. "Yes; but " She followed his glance and answered it with a slight shrug.

"I can't take you into my room, because there's a dress-maker there, and she won't go because she is waiting to be paid. Schenkelderff," she exclaimed, "you're not wanted; please go and look out of the window." The Baron rose and, lighting a cigarette, laughingly retired to the embrasure. Mrs. Newell flung herself down and signed to Garnett to take a seat at her side. "Well you've found him?

Newell's introduction of him as her friend Baron Schenkelderff, to assure Garnett of his connection with a race as ancient as his appearance. Baron Schenkelderff greeted his hostess with paternal playfulness, and the young man with an ease which might have been acquired on the Stock Exchange and in the dressing-rooms of "leading ladies."

It made Garnett shiver to think of her growing old between her mother and Schenkelderff, or such successors of the Baron's as might probably attend on Mrs. Newell's waning fortunes; for it was clear to him that the Baron marked the first stage in his friend's decline. When Garnett took leave that evening he had promised Mrs. Newell that he would try to find her husband. IF Mr.

Even Garnett's services received little recognition, unless he found them sufficiently compensated by the new look in Hermione's eyes. The principal figures in Mrs. Newell's foreground were the Woolsey Hubbards and Baron Schenkelderff. With these she was in hourly consultation, and Mrs.

Newell, who had had a good deal of experience in managing this type of millionaire, could be trusted not to arouse their susceptibilities, and Garnett was therefore certain that the chimerical legacy had been extracted from other pockets. There were none in view but those of Baron Schenkelderff, who, seated at Mrs.

One and all they were there to serve her ends and accomplish her purpose: Schenkelderff and the Hubbards to pay for the show, the bride and bridegroom to seal and symbolize her social rehabilitation, Garnett himself as the humble instrument adjusting the different parts of the complicated machinery, and her husband, finally, as the last stake in her game, the last asset on which she could draw to rebuild her fallen fortunes.