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The latter was attacked, in 1762, by Moratin the elder, who wrote against it, and especially against the autos sacramentales, showing that such wild, coarse, and blasphemous exhibitions, as they generally were, ought not to be tolerated in a civilized and religious community.

First came the loa, a kind of prologue; then the entremes, a kind of interlude or farce; and last, the autos sacramentales, or sacred acts themselves, which were more grave in their tone, though often whimsical and extravagant. The seventy-three autos written by Calderon are all allegorical, and by the music and show with which they abound, they closely approach to the opera.

In the texts which are left we find for the most part the poorest dramatic groundwork, relieved now and then by a fine lyrical or rhetorical passage, but no trace of the grand symbolic enthusiasm which distinguishes the 'Autos Sacramentales' of Calderon.

They were held in a room built for the purpose, and named 'Los Scannos del Peral'. A Spanish play is full of absurdities, but I rather relished the representations. The 'Autos Sacramentales' were still represented; they were afterwards prohibited. I could not help remarking the strange way in which the boxes are constructed by order of the wretched police.

The collection of the Autos sacramentales contains only seventy-two, and of these several are not mentioned by Calderon. And yet he lays the greatest stress on these; wholly devoted to religion, he had become in his age more indifferent towards the temporal plays of his muse, although he did not reject them, and still continued to add to the number.

They were held in a room built for the purpose, and named 'Los Scannos del Peral'. A Spanish play is full of absurdities, but I rather relished the representations. The 'Autos Sacramentales' were still represented; they were afterwards prohibited. I could not help remarking the strange way in which the boxes are constructed by order of the wretched police.