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They are only amazed that we should be surprised at the quantity of their work that they can remain, in fact, so cool in the midst of their hundred and one boilings, singeings, choppings and fryings. Kathi certainly wipes the perspiration off her brow, but Moidel cannot even allow herself leisure for the act. The dinner would not be in time if they stopped to enter the chapel, even for Rosenkranz.

I quote again from Rosenkranz, with regard to a habit often found among girls: "The pupil must be warned against a certain moral negligence, which consists in yielding to certain weaknesses, faults or crimes, a little longer and a little longer, because he has fixed a certain time, after which he intends to do better.

What think you of that?" "That it is just as people are always represented in English comedy," said the Baron. "The portrait is over-charged, caricatured." "And yet," continued Flemming, "no longer ago than yesterday, in the Preface of a work by Dr. Rosenkranz, Professor of Philosophy in the University of Halle, I read this passage." He opened a book and read.

"Let a man," says Rosenkranz very truly, "turn over hundreds of histories of church, of state, of literature, and in every one of them he will read that the Encyclopædia spread abroad an irreligious spirit. The accusation has only a relative truth, to the extent that the Encyclopædia assailed the belief in miracles, and the oppression of conscience supported by a priestly aristocracy."

C.C.L. Schoene and J.D. Hoffmann had both the requisite courage for such an undertaking; and the first even sent his production, with perfect naïveté, to the great master, as the second part of his own work. C. Rosenkranz and Gustav Pfitzer two very honorable names also wrote after-plays. We must confess that we have never felt any desire to see "Faust" continued.

Even in the three critical dialogues that Diderot added to the play, Lessing cannot help discerning the mixture of superficiality with an almost pompous pretension. Rosenkranz, it is true, finds the play rich in fine sentences, in scenes full of effect, in which Diderot's moral enthusiasm expresses itself with impetuous eloquence.

Rosenkranz, p. 83, Published by William T. Harris, St. Louis, Mo. "Why does the meadow flower its bloom expand? Because the lovely little flower is free Down to its root, and in that freedom bold. And so the grandeur of the forest tree Comes not from casting in a formed mould, But from its own divine vitality."

"Ah! so much the better, your affairs go on well, and that gives me pleasure. Sit down, Anna-Marie, sit down and rest yourself." I saw in his eyes how happy he was to have her unroll her budget of news. But it appeared she had other matters to attend to. "Oh! Mr. Goulden," said she. "I cannot today. Others are before me, Mother Evig, Gaspard Rosenkranz, and Jacob Heilig.

Although the haymakers were worn out and weary with a long day's work of twelve hours, still Rosenkranz sounded in the chapel like the humming of bees in lime trees. This pious custom duly impressed us, until on the very next day, as we walked up our village street on the evening of the festival, our solemn feelings received a great check.

Nay, there was our own pious Moidel watching us from the kitchen window, her Hail Marys mingling with her friendly greetings; but then Moidel was waiting upon us and our supper whilst her family were on their knees in the chapel. Still, we soon learnt to perceive that Rosenkranz was considered quite as efficacious if merely uttered by the tongue, whilst the mind was far away.